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leasia-fixt

Celldweller Releases “Ozar Midrashim” Announces The Dead Shall Rise (Official Soundtrack) Pre-Order

March 4, 2026
Artist News, Artist Press
Celldweller

Enter the dark, fractured world of Nosgoth through an expansive and cinematic soundtrack from Celldweller, created for Legacy of Kain: The Dead Shall Rise. Blending crushing guitars, haunting atmospheres, and immersive sound design, this release brings the blood-soaked legacy of Kain and Raziel to life like never before.

The soundtrack features the all-new original track “Elaleth”, highlighted by a soaring and emotionally charged guitar solo performance from Matthew Kiichi Heafy of Trivium.

Celldweller also unleashes a bold, modern reimagining of Raziel’s iconic theme with his cover of “Ozar Midrashim”, alongside remastered score selections that honor the franchise’s legacy, including a newly remastered version of Information Society’s “Ozar Midrashim.”

Beyond the core songs, The Dead Shall Rise soundtrack immerses listeners deeper into Nosgoth with exclusive “story-mode” tracks, featuring cinematic musical beds, intricate sound design, and original in-game voice-over dialogue. These atmospheric pieces blur the line between album and experience, placing fans directly inside the world’s crumbling pillars, haunted ruins, and shifting timelines.

Purchase/Stream:

https://link.fixtmusic.com/LoKSR_TDSR_OST


Erinys (feat. Crush Mode)

February 17, 2026
Artist News

By Chantal Holmes

     There was something different about the rain. After the sun had descended fully below the skyline, the weather, too, had decided it wanted to put on different makeup for the evening. What had once been a thin sheet of grey had been steadily growing darker, transforming itself into a thick, off-black veil hiding clumped mascara as the first drops had begun to fall. Had they been warm, maybe, they could’ve more properly passed for tears, but these were far from it: icy and hard-landing enough to sting, cold enough against the warmer ground for a thin layer of mist to linger. Another phone notification pulled her attention down from peering out through the clear plastic of her umbrella, dispelling the daydream. She let her vision tunnel down to the glowing text on her screen, only barely noting the slight gemstone changes in hue as she turned her way down one of the entertainment districts. A mute sigh of relief left her chest: not another warning or news alert, just a friend making sure she was on her way home and safe despite the weather. Stepping a little closer to the buildings along the sidewalk, she sent back a quick confirmation and returned her phone to her pocket. The next chance she had to upgrade to an arm-mounted system instead, she was going to take it.

     She had only managed to walk a little more than halfway up the street, when her foot came down on something softer than the rest of the sidewalk; it was just firm enough to shift her gait, pliable enough to squish ever so slightly beneath her sole. A stiff crinkling noise quietly followed her slowly lifting her boot back up. Trash? An amalgam of urban tumbleweeds? Tilting her head, she peered down at the object as she moved her foot aside. Black text on yellow, partial striping on the edges: barrier tape. Her eyes slowly drifted from the crumpled ball along the tattered, but intact, ribbon still connected to it. The two-tone line continued away from the main sidewalk and into a connecting alley, nearly fading from view entirely as it crossed the reach of the streetside lights. She slowly straightened her posture, taking in the barely visible shadows of tape that spanned across the alley’s width. A few of the criss-crossing lines had been broken, their ragged edges rippling ever so slightly in the rain. Had she an actual mouth in place of the faintly glowing shape decorating the lower half of her screen, she was fairly certain it would’ve started to go dry.

     Beyond the tape, something flickered. She tilted her head ever so slightly, re-checking the sidewalk and rapidly cycling her visual filters to make sure nothing else was lurking nearby. All readings came back negative.

     It flickered a second time, the small screen managing to stay on, casting the edges of the rest of the object in its glow; it looked like a phone, either discarded or forgotten, half resting against a small garbage bag. Cautiously, she made her way to the line of tape and ducked her way under it. There were no evidence markers, but a working phone being left behind barrier tape felt more than a little out of place. Crouching, she lifted the phone from the plastic, the glow of its screen fading back out in the process. She told herself that she could leave it with someone in the morning, in the off chance that it really had been left behind by mistake. Turning it over in her hand as she stood, the initial pang of unease began to rapidly dissipate as she checked for any damage. Its case was a little scuffed, but otherwise intact, while the screen protector had suffered only one fairly deep scratch. The screen flickered back to life as she ran her thumb along the scratch, earning a dulled haptic response that nearly made her drop it.

     A short bootup video started to play: a pixel art fish swimming until it bit onto a fisherman’s lure, turning into a little heart logo as it was reeled upward. It rotated clockwise as it breached the surface, landing on its point in what looked like it should have been a text reveal animation. Instead, the little heart tilted slightly, shaking as the animation locked. The screen flashed in rapid cycle of red, purple, fuchsia, and cyan as a few pixels began to fall out of the immobilized shape: slowly forming a jagged line down the center of the heart trapped on the screen. Confusion gave way to panic as a dull, static sensation begin to creep over her hand; the moment she’d lost all sensation in it, she watched her fingers curled tighter around the device to ensure it wouldn’t fall. Her vocal functions froze, legs rooting themselves in place as the static spread its way outward from her shoulder, eyes locked on the screen and the jagged line that had begun to break the little pixel heart in two. She could only barely feel the phone in her pocket vibrate with another notification as the static began to bleed its way into her vision, her other arm unwilling to reach for it no matter how much she silently begged. Blocks of swimming, bright color filled her eyes completely as she felt herself pulled backward into one of her own internal storage devices, reduced to a passive program.

     On the phone’s screen, the heart had fully broken; the words ‘DOWNLOAD COMPELTE’ flickered and danced across the screen before it both visibly and audibly sparked, and went dark. Just as casually as she’d picked the device up, she watched herself slip it into the dumpster and retrieve her own phone from her pocket. A message from her friends, asking if she was still on her way to their game night. Her thumb slid across the keyboard quickly, promising she would, but that she’d likely be a bit late. The hand casually set her phone to silent mode and returned it to her pocket, giving her shoulders a light rotation to clear the lingering static. She could hear her drives clicking and responding, different pieces of her being rearranged and almost gently set aside as whatever this thing was settled itself in. She wanted to scream, to halt its processes and force it into a digital quarantine until she could properly purge it, but it had already overwritten key permissions and blocked access. A new personality profile was added, name encrypted, and was promptly set as currently active and in use, solidifying her state as a prisoner in her own system. The invading program slowly reconfigured her facial display, ultimately leaving only her model type and serial number as her own by the time it was finished. It carefully closed her umbrella and leaned it against the wall.

     Pieces of fragmented memory flashed before her eyes as she stepped deeper into the alley, nudging something soft and phantom out of the way with her foot. A pair of shadows, glinting metal, and a shower of sparks flickered in and out of her vision. Crouching low, she rummaged around for a loose piece between the ground and wall that’d been used as a hiding place. Her visual display flickered, still struggling to differentiate between memory and present, as she carefully worked a piece of the lower wall open and reached inside. A smile, jagged and much too wide, stretched across her face; everything was in the precise place she’d left it, curved knife and little velvet giftbox untouched. Another flicker, a better lit and drier version of the alley trying to overtake the view of the one she was currently standing in: a splatter art broken heart painted in blood on the wall, a pair of bodies carefully pinned in place beneath it. The metallic tang that would’ve been hanging in the air was uncomfortably vivid, as was the series of images of spending well over an hour making sure everything would catch the light from beyond the alley just right.

     The sound of feet rushing along the sidewalk was enough to make her turn, forcing the overlapping memory back out of her sight. She slowly tucked the knife into her other jacket pocket as a pair of shadows hurried by, internal drive clicking quietly with something between contemplation and vague recognition. Almost compulsively, she ducked under the tape line and hurried to the open mouth of the alley, peering around the corner. Her vision flickered, still adjusting, still fighting itself, distorted the shrinking silhouettes as they hurried beneath an awning to catch their breath. Stepping back from the corner, she blinked and shook her head, trying to jar the pixelated blocks from her sight. She was already trying to do too much at once by rushing to pick up where she’d left off. She needed to slow down, give herself time to properly acclimate: the process of jumping from a space as cramped as a phone back into a full body didn’t guarantee immediate functionality. Even the sound of her own sigh was distorted as she stepped away from the wall and began to make her way up the street behind the pair. They hadn’t gotten too far up ahead; there was still plenty of time to confirm whether or not that flicker of familiarity had just been another piece of bleed over.

     As she waited for the hiss and whine to fade from her audio inputs, she half occupied herself with the rain. Passing what she assumed to be a pawn shop, the mix of green and yellow neon painted the droplets in a sickly, acidic green: the dreamy jewel tones temporarily morphed into the likeness of dripping hydra venom and corrosive mist. The hiss in her ears gradually gave way to the sound of pouring rain and the partially muffled echo of the two talking under the slowly approaching awning. Straining her hardware a little, she tried to internally boost what they were saying to the point of audibility.

     “That’s… the last time… I trust a park that says they have ‘rain-proof’ areas.” One of the two managed between attempts to finish catching their breath. She didn’t recognize the voice.

     “No kidding. Redefining ‘raincheck’ wasn’t on my list of things to do tonight, but here we are.” The other sighed, “We’re about halfway back to my place. I know it’s not exactly ideal, but we can at least be a little more dry there while we’re waiting for your ride. They’re a few hours out, right?” The second voice, male, was unmistakable. His companion’s response didn’t register as she glanced in their direction, watching as they turned the corner and began to hurry their way from cover to cover up the next street. Momentarily pressing the box tucked under her arm a little closer to her side, she quickened her pace to follow, half playing with the thought of whether or not he’d be able to recognize her in her current state.

     Carefully balancing keeping them within sight and appearing innocuous, she kept her pace just brisk enough to appear as though she were making up for her missing umbrella; whenever she felt she’d closed too much distance, she’d pause by a display window or vending machine to give them a little more space. During one of her pauses, she could hear someone’s radio broadcast drifting down from a cracked window somewhere above. She tilted her head slightly, listening as the host discussed how much time it would take to pose a corpse for a crime scene, posing the question to his listeners as to how someone hadn’t been caught in the process after nearly a dozen victims. She listened quietly to his theorizing about why each scene contained at least one broken heart painted in blood, and had been littered with snapped heart candies branded with scathing text, resisting the urge to respond to each under her breath. As he closed the segment with surprise that a curfew hadn’t been instated, and his own theory that someone had simply been playing with the themes of the month’s holiday, she shook her head. He certainly earned his media points for the effort, regardless of inaccuracy and caffeine-fueled, late-night theory crafting.

     “Bear with me; I know your situation is anything but what you probably wanted to do tonight. Just a little longer, and you’ll have your body back. I don’t plan to keep it from you.” The words passed to the other personality as she resumed her hunt, knowing full well they weren’t likely to be believed. The response back was quick, sharp.

     “After you’ve added another tally to your body count, right?”

     “You catch on quick~” She silently chuckled.

     “This will make how many, according to that radio guy? Twelve? Thirteen? Have you stopped to consider that what you’re doing might be going too far?”

     She slowed her walking pace a little, gaze trained on the pair walking ahead. Had he stopped to consider that he was going ‘too far’ when he’d strapped her to a table to test his theory? Was ‘too far’ flipping the switch that tore her out of her body and sent her spiraling into a digital limbo? Or, perhaps, was ‘too far’ had been dismembering and disposing of her original body so she couldn’t try to find her way back? Her hand tightened around the handle of the knife in her pocket.

     “I have. It isn’t.” The words were chillingly calm as she stepped back out into the rain again, turning to cross the street as soon as she saw one of their heads move a little too far to the side. She didn’t turn her head until her foot touched the opposite sidewalk, just barely catching sight of him turning his attention back to the street ahead of him. She gave them a count of fifteen before she resumed her quiet trailing, watching them continue to dart from cover to cover. His posture shifted from wary back to confident within about three steps, either satisfied that his paranoia found no shadows to cling to, or attempting to mask his alertness to the one that he felt still lingered, unconvinced it had moved on to other vultures to haunt. He didn’t let his companion out of his sight for more than a few moments, keeping them moving and wrapped in carefully feigned interest and apologies in order to keep them from noticing much else. She kept her head tilted downward, a thin façade of trying to keep her display dry in the chance that either of them glanced at the opposite sidewalk for a little too long.

     They sprinted up a dead-end street and through a security gate as the first dull rumbles of thunder began. She waited until they were almost halfway through the courtyard before she let her foot fall back onto the street to cross, watching as they paused to catch their breath on the building’s porch. They’d already retreated inside by the time she reached the gate. Lifting her head, her eyes flitted upward from one lit window to the next, pausing on a particular patch of dark glass. Had he moved to a different floor, or was he still running his little operation out of the same apartment? She counted the minutes it would’ve taken to climb from the ground floor to the room she was staring at. Only a few seconds later than expected, the apartment’s lights blinked on one by one; she couldn’t determine whether it was a decision of arrogance, or if he simply hadn’t had the time to relocate, but the thought was enough to draw a dry, glitch-laden chuckle from her audio output. The vocal distortion gave her momentary pause, her grip loosening on the knife handle in her pocket as she tried, and failed, to find her own voice in whatever she’d just heard. She’d have to give her thanks for that lost piece of herself, too.

     Pulling her hand from her pocket, she flexed her fingers a little and rested her palm on the user panel. She’d had enough time to settle in and get comfortable, meaning it was about time to see what her borrowed hardware would allow. Rerouting a little bit of power, she sent a small burst of discharge shot through her hand and into the panel; her mental companion immediately recoiled, clutching her phantom wrist. The clatter of the lock disengaging was just enough to mask the electric snap of the panel’s short, leaving only the smell of slightly burnt rain and a faint scorch mark to indicate her tampering. She drew a little flat-edged heart in the soot before sliding the gate open, stepping into the courtyard with the same confident, practiced monotony as a courier. Sparing one more glance up to the dimly lit apartment on the eighth floor, she crossed the courtyard and applied another jolt of electrical coercion to the building’s keypad lock. Knowing that two security malfunctions in such a short span of time were bound to set off a silent alarm, she slipped her way through the door and made her stay on the ground floor as brief as possible, pausing only to confirm a name and a number: Dolios, eighth floor, apartment six.

     Strolling past the elevators, she turned her way up the stairwell both to avoid potentially being trapped inside a different small metal box, and to secure a potential escape route. Her pace was unhurried, the overhead lights slowly starting to dim to the point of flickering out completely as she passed, testing how much she could affect without direct contact. If the courier excuse didn’t work, she supposed she could always turn off her facial display and pretend to be one of those haunted, empty machines that supposedly roamed after dark. It would’ve at least been a partial truth. The faint whirring sound of an unmaintained camera motor interrupted her train of thought. Her previous thought carried over; impulsively switching off her facial display, she slowly tilted her head up to “look” back at the camera mounted at corner overlooking the landing. As the light directly overhead dimmed, she let the display flicker back piece by piece: one eye a broken pink heart, the other a bright white knife, her mouth a jagged and cracked smile stretching from one edge of the screen to the other. She could hear it adjusting focus, attempting to zoom in; someone sitting in a security booth somewhere was trying to make sense of what they were looking at. Stepping closer, causing the light nearest the camera to start to dim, she reached up to grip its mounting arm and leave the onlooker a tiny present in the form of flickering pixel vomit and static. Someone was going to have a story to tell, and not a soul would likely believe them.

     The next camera along her climb received much less ceremony: no sooner than the light had fully dimmed, she rushed forward to render its point of view just as unusable as the last. If her counting had been correct, the next camera was positioned on the ninth-floor landing, not the eighth, allowing her to enter the apartment hall unhindered. The change in atmosphere was almost immediate as the stairwell’s constant hum fell almost completely mute, muffled by carpet and the distant sound of someone watching a particularly loud movie. She counted the door numbers as she passed, odds on the right, evens on the left, until she was, for the second time, standing outside his apartment. Carefully, she pressed the side of her head to the door, listening. The muffled conversation on the other side was all the confirmation she needed. Taking a full step away from the door, she finally removed her little black box from its spot under her arm and gingerly placed it on the floor. Opening its lid, she pulled out an oil and thermal paste stained “bouquet” of wires and processors. Beside a small bundle of filled and meticulously labeled blood vials, she retrieved a small card with a small note scratched into its surface: “143 // 831: never true, not once”. Closing the lid, she carefully placed the messy bouquet and card on top, standing only to lightly knock on the door.

     “Yeah?” The voice was slightly less muffled than before, from somewhere in the kitchen. She reallocated some of her resources, trying her best to replace her glitching voice with what she remembered sounding like.

     “Hey… it’s Erin. Was just stopping by to deliver on that promise.” She quietly hurried to the vacant apartment next door, giving it a tiny jolt to snap the lock open and let herself inside. The door to his apartment opened only a few moments after she’d quietly shut hers. Adjusting her hearing sensitivity, she listened closely for his reaction as she quietly made her way through the barren apartment. It was quiet for a few moments, the tension momentarily broken by the scuff of a boot on carpet and the rustle of the bouquet’s paper wrapping being moved. Silence returned while she imagined him scanning the hall for anything amiss, followed by the door abruptly slamming and the clicking of several locks. The alarm from his guest was immediate, asking who it was that’d knocked and why his reaction had been so visceral. She could hear the box being roughly tossed onto something, followed by verbal recoil. He knew she was in the building now; the clock was ticking.

     Flipping through her visual filters, she was able to quickly find what she was looking for: a relic from the days when the building had functioned as a hotel, a door connecting the empty apartment to the one next door. Kneeling beside the old locking mechanism, she began to quietly poke and prod at it. She remembered to turn her hearing sensitivity back down just as the first shouts began next door: what had started as simple questions were beginning to turn into demands, the way he’d locked the door and the contents of the box bringing a new wariness to their situation. One by one, she listened to each inquiry sail across the room with the delicacy of a thrown dinner plate. Who was Erin? Was he casting a particularly wide net and accidentally scheduled two of his meet ups in a single night? What kind of sick promise involved blood and hard storage? The lock clicked open, her left hand automatically dipping into her pocket to recover the handle of her weapon. Quietly nudging the door inward, despite certainty that the volume of their back and forth would’ve concealed even a moderate creak, she crept her way into one of the apartment’s rear rooms.

     It took a few blinks to be sure she wasn’t suffering another memory bleed. The apartment was almost entirely unchanged from the last time, and the last time, that she’d set foot inside; he’d changed the curtains, perhaps, but everything else remained largely the same. In one of his unused bedrooms, an old, broken monitor had been positioned to face the hall. She could feel her facial display flicker and momentarily distort, recalling the panic of waking up behind that screen, and the smile on his face as he shattered it. He hadn’t even bothered to hide it, knowing that any future experiment would simply write it off as garbage he’d yet to dispose of; maybe he saw it as a trophy of his limited success. She would’ve curled the lip of her display in disgust, seeing the beginnings of another similar device being built in the same room, but the sound of tensions continuing to rise in the living room held her focus. His half passive, half panicked, bromides and dismissals weren’t faring as well as he needed them to. Slowly, she stood and withdrew the knife from her pocket, quietly continuing ever closer to the demands for answers and threats to unlock the door themselves. If she was lucky, one would incapacitate the other and she’d be able to leave with far less mess on her hands.

     Peering around the corner, she watched as tempers finally flared, punctuated by a flash and a thunderclap that sent the lights sputtering.

     “If they’re so ‘not important’, why can’t you just tell me who they are?” His companion snapped. She slipped around the corner and quietly stepped into the room with them to answer, her voice unable to stay as steady as it had been at the door.

     “Go ah-head. Te-ell her how you k-k-killed her two months ag-go.” Eyes widened as heads turned, the ticking of the decorative clock in the room slowing to a crawl. His face grew pale, looks of recognition, incomprehension, and blind terror flashing through his eyes as his body seized. His mouth slowly opened and closed, searching for anything in his mental dictionary that he thought would be enough to pacify whatever currently stood, armed, in his living room. She could see his tongue rapidly go dry as he failed to do so. She felt her shoulders shake, a broken, cracking laughter falling out of her voice module as a red, flickering vignette began to seep into the edges of her vision. As his guest scrambled over the back of the couch, tucking herself between it and the window, she pounced.

     The movement seemed to be enough to rouse his legs, propelling him upward in a quarter turn intended to be the start of a sprint to the kitchen. It, instead, resulted in a curved blade burying itself deep between his spine and shoulder blade, sending him plummeting back to the floor. He gasped, what little breath he had catching in his lungs as the knife found itself in the same spot on the other side. Wrenching the blade free, she rolled him onto his back and promptly sat on his stomach to keep him from scrambling. She raised her hand slowly, making several horizontal cuts across his chest to mark where each strap had held her to his experiment table, his voice no longer processing as anything more than heavily muffled sounds. As the vignette fully consumed her vision, her arm began to slash and swing wildly. One by one, letters flashed across the red backdrop, scrolling in rapid succession like a silent command.

     CRUSH MODE: ENGAGED

     The muffled yelps and pleas began to grow weaker.

     CRUSH MODE: ENGAGED

     The hands pounding against her chest and shoulders fell limp.

     CRUSH MODE: ENGAGED

     A soft, wet noise replaced his voice altogether.

     CRUSH MODE-

     She blinked. Her chest heaved as though she were out of breath, but she was all too aware that she lacked lungs. The eggshell white carpet of his living room had become a completely new shade of red, fresh streaks and splatters of ruby and garnet decorating the walls and furniture. An excised heart rest motionless beside what had once been her killer. Rising back to her feet, she barely glanced at the pair of eyes peeking out from behind the couch, shuffling over to the black velvet box she’d left outside. She rotated the bundle of glass vials until she found an empty one, carefully pulling it free. Without a word, she filled and sealed it, carefully scribbled the name “Morris Dolios” on the label, and returned it to the box with an imitation sigh. Returning to the body on the floor, she dipped the side of her knife into one of the drying pools in order to “paint” a broken heart motif, keeping the edges of this one particularly ragged and messy. Carefully posing the corpse to resemble a man offering his heart out to some unseen entity, she returned to the black box to fetch one of her packages of candy; she gave it a squeeze until she heard some snap, then carefully sprinkled them throughout the living room. Tossing the candy box into the velvet one, she closed the lid tight and returned it to its spot beneath her right arm.

     Walking around to the back of the couch, she crouched to look the dead man’s companion in the eye. One of her drives clicked and whirred in that familiar, vague recognition. The woman sat with her back to the couch so she could look out the window, the only indication of her stress being her shaking hands. The wild, tired, look in her eye told her that she’d resigned herself to whatever was about to happen next.

     “Killthief,” She half-breathlessly chuckled, “I’d been trying to find that guy for over a month after Erin disappeared. All they’d ever found were bits of hair and half a hand, so… I’d assumed the worst. I know I’m probably going to be just another notch on your knife handle there, but, thank you. At least I got to see him get his.” The memory fragments suddenly fell into place.

     “He earned it, you haven’t yet,” She shook her head, “I have a better idea. How’s your pain tol-olerance?”

     “Decent enough that I came here ready to fight, why?” Her crooked grin widened.

     “Alibi. Self-defense. I leave you with a survivab-ble injury, and put out an emergency call-all on my way out.”

     “Why?”

     “It’s what E-Erin would’ve wanted.” The vocal glitch was steadily wearing on her last thread. First order of business once this was over was going to be getting that fixed. The woman nodded, grabbing a burner phone out of a nearby messenger bag before sitting up on her knees. Standing, she stepped a little closer, placing a few strategic slashes to imply at least a partial struggle. She offered a small countdown with her hand before stooping to plunge the knife through her calf, leaving the blade in place.

     The woman clenched her jaw, but otherwise remained silent. Reaching for the woman’s phone, she quickly dialed the emergency line. She offered her the most sympathetic look her current facial display would allow, lowering her voice to barely above a whisper.

     “It was nice seeing you again, too, Tsila.” Rising back to her feet, she gave the stunned woman a wink and quietly made her way to the locked front door.

     “Erin?”

     She unfastened the first few locks.

     “Erin, wait!”

     The rest of the locks clicked open, and she stepped back out into the hall without another word, cutting Tsila’s shout short with the click of the closing door. Her hands found themselves back in her pockets as she walked back to the stairwell and began her descent. She let the dull hum fill her thoughts with each step downward, intentionally keeping herself blank, detached, but strangely content. By the time she returned to the ground floor, she was humming a quiet little tune, taking a moment to leave a little, bloody smudge on Morris’ mailbox as she passed. She left out the same doors that she’d entered through, walking into the downpour to cross the courtyard a second time.

     By the time she reached the gate, the burning feeling of being observed was too much to ignore. She knew who it was, she knew where they were, but she felt herself hesitating until one hand had wrapped itself around the gate’s bars. Slowly, she turned her head to peer back up to the eighth-floor window. As expected, a small shadow stood out against the light behind it, hand pounding against the glass a few times before remaining pressed to the surface. She didn’t acknowledge it, nor did she offer even the most half-hearted wave farewell, she simply pushed the gate open and walked through. Following the sidewalk, she took a left at the end of the dead-end street to avoid the red and blue glow already approaching from the right. She imagined the rain probably would’ve felt nice right about now, something to wash off all the rust-colored stains and cool her systems back down. Watching the large, heavy drops crash down from the sky as she walked, she let out a long, heavy sigh. Erin had both been avenged and died a second time tonight, and she couldn’t recall the last time she’d felt quite so comfortable with that thought. A small, mischievous smile threatened to reshape her facial display again.

     “You know… I think I might hold onto this body for just a little bit longer.”


The Browning Releases Burn This World [EVOLVED] + The “BLOODLUST” [EVOLVED] Official Music Video

February 11, 2026
Artist News

Vinyl Arriving February 27th

The Browning continues their next chapter after announcing the Burn This World [EVOLVED] Tour plus the Burn This World [EVOLVED] on vinyl. The digital version of the Burn This World [EVOLVED] album is out now available from FiXT.

Burn This World [EVOLVED] is an intense reimagining of the band’s 2011 breakout album completely re-worked from the ground up with the digital release dropping on February 11th and the Vinyl arriving on February 27th.  Along with the album The Browning announced their new Burn This World [EVOLVED] Tour in both the EU and US. They will be joined by Within Destruction, Convictions, and Dead Eyes in the US running from Feb. 12  to Mar 22 and  Stain The Canvas, THE DEFECT, and Heaven.exe in the EU running from April 3 to April 18. Tickets are available here. Fans can pre-order the CD and Vinyl editions now through the FiXT Store with digital pre-orders coming soon.

The album that birthed The Browning’s signature “electronicore” assault: blending rock, metal, hardstyle, trance, and industrial elements with apocalyptic metal intensity, now reaches its ultimate form. Every track has been sharpened, every drop hits harder, and the rave-metal chaos has been elevated to an entirely new dimension. Originally released in 2011, Burn This World marked the arrival of a new sound that fused punishing deathcore with the unrelenting pulse of electronic dance music. With Burn This World [EVOLVED], the album is completely re-recorded, reimagining every detail with modern production power while preserving the raw ferocity that made it a genre-defining release.

Releasing alongside the digital album, “BLOODLUST” [EVOLVED] is a complete reworking of The Browning’s original single, rebuilt from the ground up with heightened intensity and a darker, more ominous edge. The single delivers thrashing guitars, mechanical synths, and relentless rhythms that feel both cinematic and brutal. The accompanying red-and-black themed music video leans into a sinister vampire aesthetic, visually reflecting the song’s predatory energy and unrestrained hunger, with one ominous undertone, “We will never die.”

The Browning On Tour
The OMNI USA Tour, ELECTRONICORE 2025 Tour, the Canadian Tour 2025 with Born Of Osiris and Convictions, and the EU SUMMER 2025 Tour are not enough for hardcore genre crushing deviants The Browning. The Browning joined Born Of Osiris on the Through Shadows USA Tour this past fall with VCTMS, AXTY, and Lost In Separation. They also performed Brown XMAS 2025 in their hometown of Kansas City.  The Browning joined the EVERYTHING IS HEAVIER IN TEXAS! Tour with Upon A Burning Body and Lockjaw, which ran through Dec. 4th through Dec. 14th.

2026 doesn’t appear to be slowing down anytime soon for the band. Recently The Browning announced the Burn This World [EVOLVED] Tour in both the EU and US. They will be joined by Within Destruction, Convictions, and Dead Eyes in the US running from Feb. 12  to Mar 22 and  Stain The Canvas, THE DEFECT, and Heaven.exe in the EU running from April 3 to April 18. Tickets are available here. 

Purchase/Stream:
https://link.fixtmusic.com/NotAlone_EVO

“The OSRS MAX Collection is live! To celebrating my life goal (started in 2001) of hitting max stats on Old School RuneScape, we created this sick merch drop for you with my favorite bosses in the game.” – Jonny McBee


Check it out here!
Art by Pzychopart

FiXT Promotes Michelle Steer to E-Commerce & Merchandise Director, Welcomes Her to Leadership Team

January 27, 2026
Label News
FiXT Music, Label News

FiXT, the independent record label  founded by electronic rock artist Celldweller, today announced the promotion of Michelle Steer to E-Commerce & Merchandise Director, recognizing her long-standing contributions to the company and formally welcoming her to FiXT’s Leadership Team.

Michelle has been with FiXT for over eight years, representing a significant portion of the company’s 20-year history, and has played a pivotal role in shaping FiXT’s direct-to-consumer operations. In her new role, she will continue to oversee e-commerce and merchandise strategy while contributing to company-wide leadership, planning, and long-term growth initiatives.

Throughout her tenure, Michelle has been instrumental in elevating FiXT’s reputation for world-class customer service, ensuring that fans feel supported and valued while maintaining meticulous attention to detail across increasingly complex operations. Her work has directly supported FiXT’s roster of artists, helping translate creative vision into high-quality physical products and experiences for fans around the world.

Prior to joining FiXT, Michelle built a strong foundation in the music and merchandise business through her work as a Store Manager at FYE, and later working in a print shop, giving her hands-on insight into both retail operations and production workflows.

Michelle’s growth as a leader has been marked by her commitment to self-development, thoughtful communication, and intentional support of her direct reports and colleagues—qualities that align closely with FiXT’s values-driven leadership culture.

In addition to her leadership at FiXT, Michelle currently serves as State President of the Iowa Elks Association, where she leads statewide initiatives, supports multiple committees, and helps advance the Elks’ mission of service and community impact. She is widely recognized within the organization for her dedication, organizational leadership, and commitment to serving others—experience that further reflects the values and leadership qualities she brings to FiXT.

“Michelle’s promotion reflects not only the operational excellence she brings to FiXT, but the care, integrity, and leadership she shows every day,” said James Rhodes, President of FiXT. “Her dedication to our artists, her commitment to delivering world-class customer service, and her intentional growth as a leader make her a natural fit for our Leadership Team. We’re excited to have her voice and perspective helping guide FiXT into its next chapter.” – James Rhodes, FiXT President

“From day one, Michelle has brought an extraordinary level of care, precision, and thoughtfulness to everything she touches. Her attention to detail isn’t just about doing things right—it’s about doing right by our artists and our customers. She holds herself to the highest standard, and that commitment has consistently elevated the entire company. This promotion is a reflection of the leadership she’s already been demonstrating for years.” – Kurtis Redden, FiXT Vice President

“I’m incredibly grateful for the opportunity to step into this role and continue growing with FiXT. Over the years, this company has allowed me to combine my passion for music, merchandise, and fan experience in a truly meaningful way. Supporting our artists and delivering exceptional experiences for fans has always been a top priority, and I’m proud of what our team has built together. I’m excited to continue supporting our artists, empowering our team and to contribute at a leadership level as we continue shaping FiXT’s long-term vision.” – Michelle Steer, FiXT E-Commerce & Merchandise Director

As a member of FiXT’s Leadership Team, Michelle joins James Rhodes (President), Kurtis Redden (Vice President), and Travis Brockett (Administrative Director) in stewarding the company’s long-term vision. The Leadership Team is responsible for aligning strategy across departments, fostering healthy collaboration, and ensuring the continued growth and sustainability of FiXT as both a creative and operational organization.

Congratulations Michelle Steer!


FiXT Labs: Merchandise Assistant Brody Miller Talks the Benefits of Working at FiXT Music

January 21, 2026
Label News
FiXT Music, Label News

Few forces in the FiXT universe radiate as much energy as Summer Garfield who joins us to discuss her iMeet Brody Miller, merch wizard by day, band mastermind by night! He’s learning all the behind-the-scenes secrets at FiXT so his own band can crush it in the future. When he’s not coordinating killer merch drops or keeping the shelves stocked, Brody is working on his own band, Yote and soaking up every behind-the-scenes knowledge that FiXT has to offer. From marketing to merch design, he’s learning it all — and taking notes for his band’s future domination….

Check out the rest over at V13.net
FiXT Labs: Merchandise Assistant Brody Miller Talks the Benefits of Working at FiXT Music


FiXT 2025: Year In Review

December 22, 2025
Artist News, Label News
Label News

By Leasia Korbel

Welcome to FiXT’s 2025 End-of-Year Review, also known as the annual reminder that our artists apparently do not sleep, believe in limits, or understand the phrase “take a break.”

2025 was a powerhouse year for FiXT, louder, bolder, and more creatively charged than ever. Across the entire label group, our artists pushed boundaries, our releases gained serious momentum, and our impact across multiple genres continued to surge. This review celebrates the wins that defined the year: breakout singles, tours, appearances at Louder Than Life, high profile recognitions, high-visibility sync placements, and a wave of innovative campaigns that amplified FiXT’s global presence.

Throughout 2025, our artists delivered some of the most ambitious and forward-leaning work in the label’s history. From high-impact singles, such as Celldweller & SWARMS’s “Fakebreaker” (feat. REEBZ) and full-length albums to boundary-pushing visual campaigns and cross-media integrations, FiXT’s creative output demonstrated both range and depth. Internally, we optimized key workflows, (I know the boring behind the scenes stuff), expanded our marketing capabilities, and reinforced our mission to empower our artists.

As we wrap 2025, we’re carrying that momentum forward; excited, inspired, and ready to make 2026 an even stronger year.



“Looking back on 2025, I’m incredibly grateful for the artists, team members, and fans who continue to fuel FiXT’s mission. We saw career-defining moments from Daedric and The Browning with all-time streaming highs, huge wins for ENMY and The Browning on SiriusXM plus performances at Louder Than Life, and a massive launch for Celldweller, SWARM, and REEBZ with ‘Fakebreaker’ crossing a million streams out of the gate. The DEFECT gave us a hard-hitting debut album and hit the road to bring it to fans, while Izzy Reign’s debut quickly became one of my personal FiXT favorites in years. And HIGHSOCIETY’s DATAMOSH album delivered a dynamic, forward-thinking multi-genre assault that he’s taken on the road with his incredible DJ sets. I’m proud of every artist and every release we’ve been fortunate enough to be a part of, and forever grateful for the listeners who make these moments possible.” – James Rhodes (FiXT, President & Co-Founder)

“This year at FiXT reminded me why I love what we do. We pushed out incredible music, built stronger relationships with our artists and partners, and watched our team level up in ways that genuinely inspired me. Every project, every release, every challenge we tackled together made the label feel stronger and more focused. I’m proud of the work we accomplished and even more excited about the momentum we’re carrying into next year. The foundation we built in 2025 feels like the start of something big, and I’m grateful to be part of shaping where FiXT goes from here.” – Kurtis Redden (FiXT Vice President)

January 3, 2025 – The Browning Kicks Off The Year With Cover of “Blue” (Da Ba Dee)

https://link.fixtmusic.com/TB_Blue
The Browning put their unique spin on Eiffel 65’s iconic hit “Blue” (Da Ba Dee) transforming the nostalgic classic into a heavy-hitting, genre-blending masterpiece. Brutal vocals take center stage fusing The Browning‘s signature mix of metal, electronic, and industrial sounds. The remix injects pulsating energy, crushing breakdowns, and futuristic vibes, from serene to chaos, it’s “Blue” like you’ve never heard it before. 

January 9 – The Browning Announced The ELECTRONICORE 2025 Tour, April 2 – May 4, Featuring SWARM and THE DEFECT

The Browning kicked off 2025 with a bang, announcing the annual ELECTRONICORE 2025 Tour just one day before the start of the OMNI USA Tour. Running from April 2 to May 4, the ELECTRONICORE 2025 Tour featured SWARM and THE DEFECT.
“We have always wanted to do a tour properly merging heavy music and EDM so here’s the start of our annual ELECTRONICORE tour! Come out to party, and mosh! This is going to be a lot of fun.” – Jonny McBee (The Browning)

January 13 – FiXT Promotes Kurtis Redden to Vice President

“Over the past five years at FiXT, I’ve had the incredible opportunity to grow alongside an amazing team. I never would’ve imagined I’d develop such a deep passion for the music industry, but it’s easy to love what you do when you’re surrounded by such talented, hard-working people. A huge shoutout to the entire FiXT team—you’re all amazing and continue to inspire me every day. What James and Klayton have built at FiXT is truly remarkable, and I’m so honored to play a role in taking their vision of an artist-friendly record label to the next level.” – Kurtis Redden (FiXT Vice President)

January 13 – Inside FiXT 005: Horror, Music, and Creativity: Inside the Minds of Izzy Reign & Figure

February 1 – ENMY’s “Survive” & Fight The Fade’s “Alive Again” Used at the end Of WWE Royal Rumble 2025

February 7 – THE DEFECT Released Debut Album DEATH X DESTINY

DEATH X DESTINY is a visceral journey through themes of pain, loss, and self-destruction, expertly woven into a soundscape of gritty guitars, haunting melodies, and electrifying synths. With DEATH X DESTINY, THE DEFECT brings their bold and emotive vision to the stage exploring a range of influences while pushing sonic boundaries. With an appearance from The Browning on the single “Immortal,” fans of hard rock, alternative metal, and industrial music will find themselves drawn to the unique dual-vocal dynamics between Jonny McBee and Moon, who seamlessly merge sultry melodies with brutal power. 

February 28 – The Plague Released The Divided States Of Hysteria

The Divided States Of Hysteria is a sonic manifesto diving into themes of addiction, identity, societal pressures, self-reflection, and the complex duality of human nature. Synths, guitars, bass, and drums collide to create an intense sonic palette that mirrors the album’s themes of internal and external chaos. The Plague combines raw and vulnerable lyrics, with complex soundscapes showcasing his unparalleled ability to blend emotive lyrics with powerful instrumentation. The album captures The Plague’s signature blend of rock, hard rock, and alternative influences, delivering tracks that are as energetic as they are thought-provoking. From powerful synths to driving guitars and thunderous drums, the instrumentation provides a dynamic backdrop for lyrics that tackle deeply personal and universal themes.

March 5 – FiXT Announced FiXT Academy

FiXT, the pioneering independent record label known for its cutting-edge approach to music and artist development, is proud to introduce FiXT Academy, a new suite of services led by FiXT President & Co-Founder, James Rhodes, designed to empower musicians and producers with the tools, knowledge, and inspiration they need to elevate their careers. To learn more, visit fixtacademy.com and join the FiXT Academy Waitlist and Newsletter and receive a free New Release Action Guide for Artists.

FiXT Academy is a comprehensive range of products, including engaging webinars, a membership community, dynamic mastermind groups, personalized coaching, and consultations tailored for artists, producers and labels. With a vision to educate, develop and inspire, FiXT Academy serves as a one-stop resource for creatives aiming to refine their craft, build sustainable careers, and connect with like-minded professionals in the music industry.

March 13 – FiXT Partners With V13 Media

FiXT, the independent record label dedicated to artist development and genre innovation, and V13 Media, the established media outlet showcasing independent voices in music and entertainment, are proud to announce a new strategic partnership aimed at amplifying independent music on a global scale. This collaboration brings together FiXT’s cutting-edge approach to artist growth with V13 Media’s expertise in music promotion, editorial coverage, and media outreach. Through this partnership, both companies will work to provide unparalleled exposure and promotional opportunities for FiXT artists, bridging the gap between creators and fans worldwide.

March 21 – Izzy Reign Released Her Debut Self-Titled Album Izzy Reign

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

March 28 – HIGHSOCIETY Released DATAMOSH

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 
One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 
At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

May 5 – FiXT Hires Social Media Manager Addie Brown

May 5 – FiXT Hires Merchandise Assistant Brody Miller

May 25 – ENMY’s “Damn” Featured on
All Elite Wrestling: The Buy In!

May 30 – “Never Enough” Featured on Fox Sports!

June 2 – ENMY’s “Clarity” Featured on WWE Raw: Money In The Bank!

https://x.com/strattonswiftt/status/1929720838498263328?s=46

June 9 – FiXT Vice President Kurtis Redden attended Indie Week in New York City!

June 9 – The Browning Announced They Would Be Joining The Through Shadows USA Tour Supporting Born Of Osiris, with VCTMS, Lost In Separation, and Convictions 

“USA! we’re back this fall supporting Born of Osiris on the Through Shadows tour with VCTMS, Lost in Separation , and AXTY! Tix on sale this Friday. Let’s party!” – Jonny McBee, The Browning

June 12 – ENMY’s “Burn” Featured on WWE Goldberg Feature!

June 12 – The Browning Announced UK/EU Summer 2025 Tour With Special Guests Polar & THE DEFECT

The Browning is headed overseas this past summer for an epic run of shows across the UK and Europe! Kicking off on July 31st and wrapping up on August 23rd, the tour will see The Browning sharing the stage with some of the biggest names in the scene.
Joining them on this massive run are none other thanPolar and THE DEFECT, making this a powerhouse lineup fans won’t want to miss. Expect crushing breakdowns, high energy, and the signature raw brutality that The Browning delivers every time they hit the stage. 

July 16 – Daedric Announced They Were Joining VOLA On The Friend Of A Phantom Tour North America 2025

Daedric tore up the stage this past September alongside one of the most dynamic forces in progressive metal. With new music on the horizon and a hunger to bring the chaos, this tour marks a pivotal moment as Daedric prepares to unveil tracks from their highly anticipated upcoming album, As The Light Left.

“DAEDRIC is honored to share the stage with VOLA this September. This is going to be an incredible tour and we’re excited to show up every night and make it an amazing experience while getting to showcase new songs from our upcoming album, As the Light Left.” – Daedric

July 16 – Celldweller Releases 2025 Remastered Version of
Soundtrack For The Voices In My Head Vol. 1 

Electronic rock visionary Celldweller (Klayton) reintroduced a fan-favorite from his expansive discography with the 2025 remastered release of Soundtrack for the Voices in My Head Vol. 01, available for the first time ever on vinyl. This iconic instrumental collection, originally launched in 2008, now returns with enhanced sonic clarity and fresh packaging that underscores its deep cinematic legacy.

July 16 – Daedric Premieres “Undone” at Revolver Mag

Texan outfit Daedric have come “Undone,” but that’s a good thing.
The act are currently building up a clutch of pop-heavy nu-rock tunes that’ll eventually lead towards the release of their forthcoming full-length, As the Light Left. Today (July 17th), they’ve teamed up with Revolver to premiere the booming fourth single, “Undone,” which arrives accompanied by a wave-rippled new music video.

August 15 – Daedric Premieres “Sand Tiger” at Revolver Mag

Texas metalcore-expanders Daedric have spent the summer building the hype for their next album, As the Light Left. Following the release of their deep and emotive “Undone,” the group have now roared into a round of classic nu dynamics for their next single: “Sand Tiger.”

August 21 – CANTERVICE Releases Deluxe Edition Of Debut Album Zero Hour

Zero Hour is far from over. The battle continues as  CANTERVICE unleashes Zero Hour (Deluxe), a bold expansion on their bombshell album out now from FiXT! This enhanced edition includes two emotionally charged acoustic re-imaginings of standout tracks “Doomsday” and “Point Of No Return” plus a high-octane remix of “The Masquerade” from drum & bass heavyweights Zardonic and Toronto Is Broken.

August 25 – The Browning Releases
OMNI [ULTRA]

OMNI [ULTRA] features the original ten tracks of OMNI plus remixes from BIOHEX, Jonny McBee, Kaixo, Kodeseven, Darksiderz, MACHINYST, and Zardonic, plus new single “OVERLORD” with SWARM and THE DEFECT. This upgraded two disc edition of their latest full-length creation is more than an album.  It’s a visceral descent into a futuristic fusion of deathcore, industrial, EDM, hardstyle, drum & bass, and rave metal laced with industrial textures, cybernetic rage, and raw emotional fire.

September 5 – ENMY’s “The Ledge” Added to Octane’s Test Drive and added to Rotation

September 12 – FiXT & Bit Bot Crew Attends The Colorado Festival Of Horror

Fans had the chance to meet Klayton, get autographs, and watch him on the panel! Klayton’s appearance was sponsored by Bit Bot Media who also brought Celldweller & Scandroid vinyl and CDs.

September 19 – Circle Of Dust Releases Machines Of Our Disgrace
(Definitive Edition)
On 2-LP Vinyl 

Circle of Dust, the ‘90s industrial-metal project of artist/producer Celldweller, is back, releasing the anticipated 2-LP vinyl edition of Circle of Dust’s explosive 2016 comeback album, Machines of Our Disgrace out now from FiXT.

Originally released in 2016 after a nearly two-decade hiatus, Machines of Our Disgrace is Circle of Dust’s fifth full-length album and a powerful statement piece from Klayton, better known to many as Celldweller and Scandroid. The album marked a massive creative resurgence, fusing metal riffs, glitchy electronics, and raw industrial noise into a sound that’s equal parts nostalgic and forward-looking. 
Machines of Our Disgrace isn’t just music, it’s a brutal mirror held up to humanity’s accelerating descent into technological dependence. Across 13 core tracks, the album unpacks themes of transhumanism, biohacking, surveillance, dehumanization, and the blurred line between evolution and manipulation. Tracks like “Contagion” and the title track “Machines of Our Disgrace” explore our surrender to the machine and the consequences of automation and blind progress. “alt_Human” and “Neurachem” dive into the ethics of gene editing and synthetic enhancement. “Hive Mind” and “Humanarchy” challenge the illusion of individuality in a digitally homogenized world. On the hauntingly emotional “Outside In,” Klayton shifts gears, revealing a fragile, human core beneath the circuitry with acoustic guitars, layered harmonies, and cinematic sound design.
The album was unflinching, both sonically and lyrically, combining dark, aggressive, and energetic moods into a cohesive and cinematic listening experience. It’s a definitive work of industrial rock and a bold creative milestone in Klayton’s expansive career.
Now Machines of Our Disgrace is available as a 2-disc vinyl, featuring the full original album and an entire second disc of original new songs and remixes from Sebastian Komor, The Anix, The Plague, Zardonic, and Voicians. It also features the new singles “Invisible World” and “Digital Messiah” showcasing Klayton returning to his early 1992 roots of the self-titled Circle Of Dust album, taking inspiration from “Technological Disguise” – a nod to his earlier work.

September 21 – FiXT Headed To Louder Than Life 2025!

Louder Than Life 2025 in Louisville, Kentucky, may be over, but for the FiXT staff, it feels like the start of a new chapter. For the first time in the label’s history, two of its artists took the stage at one of the country’s biggest rock festivals: The Browning electrifying the “Kingdom Stage” on Saturday, and ENMY tearing up the “Big Bourbon Stage” on Sunday. This was a big moment for us at FiXT.

October FiXT President James Rhodes and VP Kurtis Redden Attended PMC 2025 in LA!

October 9 – Nintendo and Synth Riders: Overdrive featured “Abyss” by Celldweller, Scandroid, and 3Force, in the new Synth Riders: Overdrive trailer

October 16 – Daedric’s “The Other Terror” Premieres at Revolver Mag

Daedric are getting closer to the Light. The Texas metalcore adventurists are about to release their sophomore LP, As the Light Left, and the band have teamed with Revolver to premiere the collection’s fearless first track, “The Other Terror,” along with its striking music video. 

October 17 – Daedric Releases Brutal Sophomore Album 
As The Light Left

As The Light Left is an album forged in both chaos and catharsis. With an unrelenting blend of nu-metal grit, cinematic darkness, and raw vulnerability, Daedric pushes their sound further than ever before: channeling pain, nostalgia, and primal fury. Throughout As The Light Left, Daedric strips away polish in favor of pain, letting raw emotion bleed through genre-bending production and ferocious vocals. It’s not an album of easy answers or tidy resolutions. It’s the sound of collapse and creation, of dancing on the edge of the fire, torn between fury and fragility. Born from breakdowns, creative tension, and fearless reinvention, As The Light Left is both a cathartic purge and a statement of artistic intent: Daedric refined, but still untamed.

October 29 – Celldweller Teams Up With SWARM & REEBZ In Apocalyptic New Single “Fakebreaker” 

Celldweller has announced “Fakebreaker,” as the first new vocal single from his recently completed Detroit studio, from the upcoming gaming-inspired Celldweller EP, God Mode.  An apocalyptic assault created alongside dark bass powerhouse SWARM and UK electronic-metal artist/vocalist REEBZ, “Fakebreaker” is accompanied with an adrenaline fueled music video, delivering chaos, intensity, and merciless energy, out now across all platforms from FiXT.

November 6 – Celldweller Drops End Of An Empire On Vinyl

Marking a milestone in Celldweller’s legacy, the End of an Empire Anniversary Edition celebrates one of Klayton’s most ambitious and cinematic albums with a lavish new vinyl release. Originally unleashed to fans in a series of captivating “chapters,” End of an Empire fused crushing electronic rock, orchestral grandeur, and immersive world-building into an experience that pushed the boundaries of the Celldweller sound. Now, years later, this 10th anniversary pressing invites listeners to rediscover the album’s sprawling narrative and genre-blending energy in a way that feels both nostalgic and brand new. A must-have for collectors, vinyl enthusiasts, and fans of epic, cinematic rock-electronica, the End of an Empire Anniversary 2LP Vinyl is more than a reissue—it’s a celebration of a landmark album that continues to inspire and electrify listeners worldwide.

November 1 – Daedric, Daedric, Daedric!

Daedric’s inside story with Outburn
Daedric listed on the Outburn cover!
Daedric makes the cover of The Sound 228!
Daedric featured in Revolver Mag!

November 7 – Daedric Announces They are Joining The Birthday Massacre on the Dark Winter Tour in February 2026

With her dark, cinematic sound and commanding stage presence, Daedric continues to carve out a place in the modern rock and metal scene. Catch Daedric on the Dark Winter Tour supporting The Birthday Massacre in February 2026.

November 9 – Iowa Music Awards

President James Rhodes and Admin Travis Brockett
There are a lot of talented staff at FiXT working behind the scenes. Our merch assistant, Brody Miller, is one of the guitarists in the band Yote. They were awarded with Album of the Year (Traditional) for their debut album A Garden to Keep. FiXT President James Rhodes and FiXT Admin Director Travis Brockett both attended the Iowa Music Awards on Sunday, November 9th, where President James was an honoree and recipient of the World Impact award, and Admin Director Travis was representing metal as a nominee for Original Band of the Year with his project Lituus.

November 10 – The Browning Announces Burn This World [EVOLVED] Pre-Order On Vinyl + Burn This World Tour

The Browning announced their new Burn This World [EVOLVED] Tour in both the EU and US. They will be joined by Within Destruction, Convictions, and Dead Eyes in the US running from Feb. 12  to Mar 22 and  Stain The Canvas, THE DEFECT, and Heaven.exe in the EU running from April 3 to April 18. Tickets are available here.

November 18 – ENMY Announces Tour With Soft Spoke + Special Guest Summer Hoop

Cincinnati hard rock outfit ENMY have announced their upcoming tour with Soft Spoken and special guest Summer Hoop.  Running from January 16th to January 31st the tour brings ENMY’s explosive live energy to cities across the U.S., delivering the band’s signature fusion of hard-hitting modern rock, soaring vocal hooks, and electronic edge directly to fans. Soft Spoken joins the tour bringing their dynamic blend of melodic post-hardcore and atmospheric rock, while Summer Hoop adds a fresh burst of high-energy alt-pop flair, making this a uniquely diverse and electrifying lineup. 

November 26 – Daedric’s “Undone” Used for Mercedes Moné vs Kris Statlander for the AEW Women’s World Championship 

November 26 – The Browning’s “Not Alone” [EVOLVED] Makes An Appearance on Octane’s Liquid Metal

December 3 – Celldweller Releases
An Offworld Christmas EP 

Celldweller reimagines the timeless Christmas classics through the lens of Offworld, combining influences of alternative rock and shoegaze with orchestral strings and beautiful synths in new, bold, modern arrangements of these holiday classics for a rendition that captures both the wonder and spirit of the season across two popular singles “What Child Is This?” and “Silent Night.”

December 10 – Addie Brown Promoted to Social Media Manager

Congratulations Addie! Well deserved!

The Browning Announces Burn This World [EVOLVED] Digital Pre-Order + “I Choose You” [EVOLVED]

December 17, 2025
Artist News

Digital Release Feb. 11th

The Browning continues their next chapter after announcing the Burn This World [EVOLVED] Tour plus the Burn This World [EVOLVED] on vinyl. The digital version of the Burn This World [EVOLVED] album now available for pre-order from FiXT.

Burn This World [EVOLVED] is an intense reimagining of the band’s 2011 breakout album completely re-worked from the ground up with the digital release dropping on February 11th and the Vinyl arriving on February 27th.  Along with the album The Browning announced their new Burn This World [EVOLVED] Tour in both the EU and US. They will be joined by Within Destruction, Convictions, and Dead Eyes in the US running from Feb. 12  to Mar 22 and  Stain The Canvas, THE DEFECT, and Heaven.exe in the EU running from April 3 to April 18. Tickets are available here. Fans can pre-order the CD and Vinyl editions now through the FiXT Store with digital pre-orders coming soon.

The album that birthed The Browning’s signature “electronicore” assault: blending rock, metal, hardstyle, trance, and industrial elements with apocalyptic metal intensity, now reaches its ultimate form. Every track has been sharpened, every drop hits harder, and the rave-metal chaos has been elevated to an entirely new dimension. Originally released in 2011, Burn This World marked the arrival of a new sound that fused punishing deathcore with the unrelenting pulse of electronic dance music. With Burn This World [EVOLVED], the album is completely re-recorded, reimagining every detail with modern production power while preserving the raw ferocity that made it a genre-defining release.

https://youtu.be/wRQZu5n0qKA

Releasing with this pre-order announcement is “I Choose You” [EVOLVED]. A heart-wrenching story of the pain of lost love the lyrics convey the torment that is felt when the loss is so great it cannot be forgotten and the wound left behind refuses to heal. Told with The Browning’s signature explosive vocals, thrashing guitars, synthesizers, and hardcore electronic beats “I Choose You” [EVOLVED] is reworked from the ground up for an experience that hits harder, cuts deeper, and elevates the song to an entirely new level.

The Browning On Tour
The OMNI USA Tour, ELECTRONICORE 2025 Tour, the Canadian Tour 2025 with Born Of Osiris and Convictions, and the EU SUMMER 2025 Tour are not enough for hardcore genre crushing deviants The Browning. The Browning joined Born Of Osiris on the Through Shadows USA Tour this past fall with VCTMS, AXTY, and Lost In Separation. They also performed Brown XMAS 2025 in their hometown of Kansas City.  The Browning joined the EVERYTHING IS HEAVIER IN TEXAS! Tour with Upon A Burning Body and Lockjaw, which ran through Dec. 4th through Dec. 14th.

2026 doesn’t appear to be slowing down anytime soon for the band. Recently The Browning announced the Burn This World [EVOLVED] Tour in both the EU and US. They will be joined by Within Destruction, Convictions, and Dead Eyes in the US running from Feb. 12  to Mar 22 and  Stain The Canvas, THE DEFECT, and Heaven.exe in the EU running from April 3 to April 18. Tickets are available here. 

Purchase/Stream:
https://link.fixtmusic.com/NotAlone_EVO

“The OSRS MAX Collection is live! To celebrating my life goal (started in 2001) of hitting max stats on Old School RuneScape, we created this sick merch drop for you with my favorite bosses in the game.” – Jonny McBee


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Art by Pzychopart

FiXT Academy Industry Panel: Mental Health & Wellness in the Music Industry

December 10, 2025
Label News
FiXT Music, Label News

December 17, 2025, 5 – 6:30 PM EST

Claim Your FREE Spot for the Industry Panel Event. 
Register at: https://mailchi.mp/513d96677806/december-panel2025

FiXT Academy presents an exclusive Industry Panel event: Mental Health & Wellness in the Music Industry.

Join us as we bring together leaders from across the creative landscape to discuss the realities of mental, emotional, and physical wellness in today’s music industry. From burnout, constant output demands, and the pressures of online visibility to the toll of touring, community expectation, and sustaining long-term creativity, this conversation will offer artists, managers, and labels an honest look at what it really takes to stay well while building a career.

Our panel features special guests Marni Wandner, Hisham Dahud (RIŽIK), and  Ryan Shuck (Julien-K, Orgy)—each bringing unique perspectives from artistry, coaching, performance, and creative leadership. Together, they’ll explore the habits, boundaries, and support systems that help creatives navigate high-pressure environments without sacrificing their health or identity.

If you’re committed to building a sustainable career in music, this event is for you. Expect candid insights, practical strategies, and a grounded conversation about managing stress, maintaining balance, and protecting your creative energy in an industry that rarely slows down.

What to Expect:

Our panelists will discuss…

  • The mental, emotional, and physical pressures facing modern artists
  • Burnout, overwork, and the impact of constant output expectations
  • Strategies for maintaining balance while touring, creating, and building community
  • How artists, managers, and teams can create healthier workflows and boundaries
  • Practical wellness habits that support long-term creative sustainability

Date: December 17, 2025
Time: 5-6:30PM EST
Location: Live on Zoom (Free with email registration)

Don’t Miss Out – Register Now for FREE Industry Panel Access!


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