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Artist News

Halloween With Klayton (Celldweller) Fun & Family Edition

October 28, 2025
Artist News, Artist Press, Label News
FiXT Music, Label News

As the crisp autumn air rolls in and the shadows grow longer, Halloween arrives: a night of eerie thrills, candy-fueled chaos, and the perfect soundtrack for the macabre. Few artists embody cinematic darkness and futuristic dread like Klayton, the mind behind Celldweller. From crafting industrial soundscapes to building entire story worlds through music, Klayton’s work has always thrived on atmosphere. This Halloween, we dove into both his family traditions and his musical inspirations for the season.

The result? A glimpse into the mind of a producer who balances high-tech horror, childhood nostalgia, and the chaos of candy duty.

Alright Klayton, real talk: do you get more excited about the tricks or the treats? (And yes, handing out candy counts.)

Definitely the treats.

In your house, does Halloween involve full-on decorating and themed playlists, or is it more “survive the sugar rush” with the kids?

There’s definitely a sugar rush aspect, which we try to keep under control as much as possible but it’s more about the kids picking out their  fav video game character costumes to run around in. 

If your studio became a haunted house for the night, which of your tracks would play in each room to terrify visitors in the right way?

Well my covers of John Carpenter’s “Halloween” & Charlie Clouser’s “Hello Zep” from the Saw franchise are good starts. “When Your Walls Fall” is sufficiently creepy. I’ve done quite a bit of stuff for my FreqGen project that are soundscapes that would be perfect to bring that “Someone’s going to jump out and eat my brains” vibe. 

Childhood flashback: what was your Halloween costume back then — and what would “Klayton in 2025” wear if you could go all out?

As a kid it was the cheapest stuff my parents could afford, so way less about who i was and more about being fortunate to have a costume at all. When I could choose, it was always Frankenstein’s monster, The Mummy, Dracula… The classic horror Monsters. I feel like in 2025 I’m always  in my Halloween costume 24/7/365 🙂

Family edition: do your kids get involved in your music projects for Halloween, or do they just claim the candy?

When candy is involved, everything else goes to the wayside (including music  – lol)

If you had to pick a monster to represent your music style — industrial, cinematic, and futuristic — what would it be? And what would its theme song sound like?

A Xenomorph embodies most of those elements for me. Again, “When Your Walls Fall” feels like a good theme song for an Alien stalking a Colonial Marine.

Halloween nostalgia check: is there a song, movie, or candy that instantly puts you in the spooky mood every year?

I really tied Flatliners to Halloween. The opening creepy choirs and Kiefer Sutherland’s opening line “Today is a good day to die…” just brings back all the Halloween feels. PS can never go wrong with a Reese’s product. Just sayin’ 🙂

Halloween nostalgia check: is there a song, movie, or candy that Build your ultimate “Celldweller Halloween Mix” — three tracks, any artist (including yourself), that absolutely have to be on it.

Ghostbusters. I mean really – who ARE you gonna call??

In the 80s, before the controversy it was Michael Jackson’s Thriller

Halloween – John Carpenter

You covered John Carpenter’s “Halloween Theme” – How did that come together?

Pretty quickly. Most times it takes me a while to bring a track into focus but that one was such a classic – I just heard immediately what I could do. I wanted to respect the track and at the same time bring my sound to it. I did that so long ago that if I were to do it again now, it would probably sound completely different. For me it captured a moment in time and I’m glad people still rock out to it.

Bonus fun: describe your ideal Halloween night in one sentence. Candy, chaos, synths, or all of the above?

Pretty quickly. Most times it takes me a while to bring a track into focus but that one was such a classic – I just heard immediately what I could do. I wanted to respect the track and at the There was a time when it would have been “Watching Flatliners with a bag full of Reese’s sticks in my hand.” Now it’s “Trying to stay awake through “The Nightmare Before Christmas” while my kids down handfuls of candy while jumping on my head.” Good times. 🙂

Halloween isn’t just about scares: it’s about creativity, storytelling, and shared experiences. Through the lens of Celldweller, it becomes a celebration of cinematic horror, musical innovation, and even the mundane chaos of family life. Whether Klayton is crafting a synth-laden soundtrack or making sure the little ones get their candy fix, it’s clear that the dark, inventive spirit of Halloween is alive in both his music and his home.


Halloween Birthday Boy Q&A with ENMY’s Brady Reis

October 28, 2025
Artist News, Label News
ENMY, FiXT Music, Label News

Happy Birthday Brady Reis!

Most people get cake and balloons on their birthday. Brady Reis of ENMY gets pumpkins, ghosts, costumes, and a nation-wide excuse for candy overload. That’s right, ENMY’s lead singer was born on Halloween, making him the ultimate “Halloween Birthday Boy.” While fans are out trick-or-treating, Brady’s celebrating with his own brand of spooky fun (and probably some extra candy). We sat down with him to talk about what it’s like sharing your birthday with one of the world’s most haunted holidays and of course — which bandmate would survive a horror movie.

Born on Halloween — do you ever feel like you won the birthday lottery, or is it tough competing with ghosts, goblins, and candy for attention?

A Halloween birthday definitely beats a Christmas birthday! All ghosts, goblins, and candy are welcome at my party. I enjoy when I have birthday parties that people come dressed up in their costumes, it definitely puts a twist on things. Actually, when I was born my god parents showed up in their Tarzan and Jane outfits.

Growing up, were your birthday parties just regular birthdays with cake, or full-on Halloween costume parties?

I’ve got at least one picture of a birthday party that my mom took of a bunch of kids in the basement dressed up. All of the food was Halloween themed and we played games where you’d stick your hand into a box to guess what the item was. Spaghetti or worms, jello or brains, all that good stuff haha. I remember playing pin the head on the Skelton as well. My mom was always super crafty so she would make custom cakes for me and my siblings, mine were just a little cooler, Frankenstein heads, cemeteries, etc. 🤘🏼

Be honest: Do people ever forget to say “Happy Birthday” because they’re too busy saying “Trick or Treat”?

If I’m out with other people I accept trick or treat greetings but if I have friends around, they’re quick to inform anyone that it’s also my birthday, so shout out to them!

Trick-or-Treat time: which bandmate is most likely to hog the candy, and which one’s brave enough to go for the scary houses?

I’m probably the one who’s most likely to hog the candy, sticking a few extras in my pocket. I’m a big fan of KitKats, 100 Grand, Rolos, Snickers, Oreos and if there’s a spooky house that I know has the giant candy bars you better believe I’m goin in!

Do you think being a Halloween baby makes you naturally drawn to the darker side of music?

I’m not sure but I’ve always been curious about that! I will say growing up I was never a fan of “The Monster Mash” whether it was because of the goofy style of it or the Frankenstein sound clips added to it, something just always rubbed me the wrong way haha. Put on some Alakline Trio, Misfits, or Type O Negative and I’ll be much happier!

What’s your go-to Halloween movie, and does it double as a birthday tradition?

I don’t really have much of a tradition when it comes to my birthday but over the years my close friends usually invite me over to watch b-side horror movies (the worse the better) or standards like Return of the living dead, Phantasm, Poltergeist.

If you had to dress up as another rock singer for Halloween, who would it be and why?

The first that comes to mind is Freddie Mercury just because his outfits are iconic, or a Justin Hawkins (The Darkness)  jumpsuit maybe?

On a scale of 1 to “haunted house,” how spooky do you think ENMY could get if you leaned into the Halloween vibes for a show?

I think we could lean into it pretty hard, especially with some of the interludes between songs, pulling clips from different movies or having sections that are homages to horror movie themes. I’m just imagining having our local venue decked out in Halloween decorations, coffins and skeletons, steaming cauldrons with signature drinks, that’s not a bad idea!

And finally — it’s your birthday wish! If you could summon one thing from the Halloween spirits for ENMY’s future, what would it be?

I think playing with Rammstein, Avenged Sevenfold, or Ghost would be high on the list but if not those, I’d say playing more festivals like Louder Than Life. I don’t know… Welcome to Rockville or Shiprocked?

As the candles flicker and shadows dance, Brady Reis reigns supreme as ENMY’s official Halloween Birthday Boy. Beware, fans: behind the cake and confetti lurk tricks, treats, and maybe a few eerie surprises in ENMY’s next moves. After all, not every frontman can claim to celebrate their birthday while keeping an eye out for ghosts… and still shred like a monster on stage.


Daedric Releases Brutal Sophomore Album As The Light Left

October 17, 2025
Artist News

Daedric has released their sophomore album As The Light Left, out now from FiXT.

As The Light Left is an album forged in both chaos and catharsis. With an unrelenting blend of nu-metal grit, cinematic darkness, and raw vulnerability, Daedric pushes their sound further than ever before: channeling pain, nostalgia, and primal fury.

As The Light Left is an album forged in both chaos and catharsis. With an unrelenting blend of nu-metal grit, cinematic darkness, and raw vulnerability, Daedric pushes their sound further than ever before—channeling pain, nostalgia, and primal fury.

The album opens with “The Other Terror,” fueled by a mental breakdown and relentless guitar riffs keeping the chaos sharp and direct. With unnerving  screams and a tempo that mirrors the energy of fan-favorite “Nirn,” it sets the tone for an album that refuses to hold back. “Sand Tiger” stomps onto the scene like a nu-metal time capsule from the early 2000s, gritty, groovy, and scratched to hell. Inspired by the Cave of Wonders from Aladdin and built from a Linkin Park-esque synth loop, the track fuses live and electronic drums with existential lyrical weight. Then there’s “Callous”, a song that almost didn’t survive. The track was set to be delivered to the mixing engineer when the band collectively decided to tear it apart and rebuild it from the ground up. What emerged was a modern, emotionally devastating anthem about betrayal and self-inflicted retribution. It’s Daedric at their most emotionally and sonically unpredictable. “Night Mother”, is the song that truly marks the start of the album’s creation and all the turbulence that came with it to become a cornerstone of the album’s tone: brooding, cinematic, and deeply human.

Throughout As The Light Left, Daedric strips away polish in favor of pain, letting raw emotion bleed through genre-bending production and ferocious vocals. It’s not an album of easy answers or tidy resolutions. It’s the sound of collapse and creation, of dancing on the edge of the fire, torn between fury and fragility. Born from breakdowns, creative tension, and fearless reinvention, As The Light Left is both a cathartic purge and a statement of artistic intent: Daedric refined, but still untamed.

Watch The “The Other Terror” Official Music Video

“The Other Terror” which premiered at Revolver Mag yesterday is a late addition that became the perfect album opener. The single was built around an electrifying riff from Dylan and a raw, unfiltered vocal performance from vocalist Kristyn Hope. Unlike Daedric’s usual layered, cinematic approach, this track was designed to be straightforward and feral, hitting hard with primal energy. Lyrically, it captures the feeling of facing fear from multiple directions, inspired by a 9/11 excerpt. It reflects raw frustration, anger, and the chaos of internal battles. The chorus itself was born from a mental breakdown, featuring unprocessed, unpolished screams that heighten the song’s intensity. Daedric’s Kristyn Hope explains,“I don’t think I’ve ever thought to just have a f***** scream at the beginning of a chorus, but I was like, you know what? Yeah.”

With its high-energy, danceable tempo and stripped-down aggression, “The Other Terror” kicks off the album like a gut punch, setting the tone for what’s to come. “I think it’s nice, upbeat, dancy, it makes you go, ‘Oh s**, here we go.’” Kristyn further explains.

Purchase/Stream:
https://link.fixtmusic.com/AsTheLightLeft

Circle Of Dust Releases Machines Of Our Disgrace (Definitive Edition) On 2-LP Vinyl

September 19, 2025
Artist News, Artist Press
Celldweller, Circle of Dust

Circle of Dust, the ‘90s industrial-metal project of artist/producer Celldweller, is back, releasing the anticipated 2-LP vinyl edition of Circle of Dust’s explosive 2016 comeback album, Machines of Our Disgrace out now from FiXT.

Originally released in 2016 after a nearly two-decade hiatus, Machines of Our Disgrace is Circle of Dust’s fifth full-length album and a powerful statement piece from Klayton, better known to many as Celldweller and Scandroid. The album marked a massive creative resurgence, fusing metal riffs, glitchy electronics, and raw industrial noise into a sound that’s equal parts nostalgic and forward-looking. 

Machines of Our Disgrace isn’t just music, it’s a brutal mirror held up to humanity’s accelerating descent into technological dependence. Across 13 core tracks, the album unpacks themes of transhumanism, biohacking, surveillance, dehumanization, and the blurred line between evolution and manipulation. Tracks like “Contagion” and the title track “Machines of Our Disgrace” explore our surrender to the machine and the consequences of automation and blind progress. “alt_Human” and “Neurachem” dive into the ethics of gene editing and synthetic enhancement. “Hive Mind” and “Humanarchy” challenge the illusion of individuality in a digitally homogenized world. On the hauntingly emotional “Outside In,” Klayton shifts gears, revealing a fragile, human core beneath the circuitry with acoustic guitars, layered harmonies, and cinematic sound design.

The album was unflinching, both sonically and lyrically, combining dark, aggressive, and energetic moods into a cohesive and cinematic listening experience. It’s a definitive work of industrial rock and a bold creative milestone in Klayton’s expansive career.

Now Machines of Our Disgrace is available as a 2-disc vinyl, featuring the full original album and an entire second disc of original new songs and remixes from Sebastian Komor, The Anix, The Plague, Zardonic, and Voicians. It also features the new singles “Invisible World” and “Digital Messiah” showcasing Klayton returning to his early 1992 roots of the self-titled Circle Of Dust album, taking inspiration from “Technological Disguise” – a nod to his earlier work.

Released today with the pre-order announcement, “Invisible World” is a defiant anthem that launches Releasing with the Vinyl is “Digital Messiah,” a relentless fusion of mechanical precision and raw aggression. Klayton’s signature blend of crushing riffs, glitch-laden electronics, and razor-sharp hooks creates a sonic assault that feels both futuristic and apocalyptic. Lyrically charged with themes of control, faith, and the rise of a false savior in a digital age, the track surges with urgency and atmosphere, perfect for fans of Nine Inch Nails, Ministry, and Celldweller. Its explosive chorus and cinematic breakdowns make it ideal for high-energy rock and metal playlists, while its cybernetic edge connects with synth-industrial and darkwave audiences. “Digital Messiah” isn’t just a song, it’s a statement, marking a powerful new chapter for Circle of Dust and primed to captivate both long-time fans and a new generation discovering the project for the first time.

Stream/Purchase Machines Of Our Disgrace (Definitive Edition)
https://link.fixtmusic.com/Definitive_MoOD

Support/Follow Circle Of Dust:
Facebook
Twitter
Instagram
YouTube
FiXT Store
Bandcamp
Spotify

The Browning Joins Upon A Burning Body’s Everything Is Heavier In Texas Tour Alongside Lockjaw

September 4, 2025
Artist News

EVERYTHING IS HEAVIER IN TEXAS!
Tickets are available here. 

“Texas we coming for you this December for Upon a Burning Body’s annual Texas takeover alongside Lockjaw! Let’s party!” – Jonny McBee, The Browning

Purchase/Stream OMNI [ULTRA]!:
https://link.fixtmusic.com/OMNI_ULTRA

The Browning Releases OMNI [ULTRA]

August 27, 2025
Artist News

“HIVEMIND” (Zardonic Remix)

OMNI [ULTRA] has arrived and is now available across all platforms from FiXT.

OMNI [ULTRA] features the original ten tracks of OMNI plus remixes from BIOHEX, Jonny McBee, Kaixo, OMNI [ULTRA] features the original ten tracks of OMNI plus remixes from BIOHEX, Jonny McBee, Kaixo, Kodeseven, Darksiderz, MACHINYST, and Zardonic, plus new single “OVERLORD” with SWARM and THE DEFECT. This upgraded two disc edition of their latest full-length creation is more than an album.  It’s a visceral descent into a futuristic fusion of deathcore, industrial, EDM, hardstyle, drum & bass, and rave metal laced with industrial textures, cybernetic rage, and raw emotional fire. 

https://youtu.be/QGyqxxQHylc

The original OMNI was a visceral journey through the depths of deathcore, featuring ten powerful tracks, including collaborations with Nik Nocturnal and THE DEFECT. The album showcased some of The Browning’s heaviest songs to date, like “HIVEMIND” and “Poison,” which together have amassed over 3.5 million streams across all digital platforms. “Deceiver,” the third release from the album brings a blistering critique of the deceitful narratives perpetuated by those in power. Accompanied by an adrenaline-fueled official music video, “Deceiver” blends the explosive energy of metalcore with the dark, mechanical undertones of industrial and the raw emotion of deathcore and its inspiration – the iconic delivery found in Rammstein’s “Du Hast.” The explosive single “OMNI” featuring THE DEFECT, which premiered at Revolver Mag, served as a harbinger of the album’s fierce energy. The album ends with the ominous double capstone of singles “Come To Grips With Death and the End” and “Soul Drift” which flip a complete 180 while still maintaining the fierce vocals with “Soul Drift” illustrating the very definition of rave metal.

Purchase/Stream:
https://link.fixtmusic.com/OMNI_ULTRA

The Browning On Tour
The OMNI USA Tour, ELECTRONICORE 2025 Tour, the Canadian Tour 2025 with Born Of Osiris and Convictions, and the EU SUMMER 2025 Tour are not enough for hardcore genre crushing deviants The Browning.

The Browning joins Born Of Osiris on the Through Shadows USA Tour this fall w/ The Browning, VCTMS, AXTY, and Lost In Separation! Tickets are available here. 

The Browning just announced Brown XMAS 2025 in their hometown of Kansas City.Tickets are available here. 

“KCMO! BROWN XMAS 2025! Our first holiday show ever feature all our hometown homies in Young Medicine, Conflicts, Lowerheaven, and of course THE DEFECT. We have sold out our last 3 shows in KC so get your tickets early!” – Jonny McBee, The Browning

Purchase/Stream:
https://link.fixtmusic.com/OMNI_ULTRA

“The OSRS MAX Collection is live! To celebrating my life goal (started in 2001) of hitting max stats on Old School RuneScape, we created this sick merch drop for you with my favorite bosses in the game.” – Jonny McBee


Check it out here!
Art by Pzychopart

The Browning Announces BROWN XMAS 2025

August 26, 2025
Artist News

The Browning just announced Brown XMAS 2025 in their hometown of Kansas City. Tickets are available here. 

“KCMO! BROWN XMAS 2025! Our first holiday show ever feature all our hometown homies in Young Medicine, Conflicts, Lowerheaven, and of course THE DEFECT. We have sold out our last 3 shows in KC so get your tickets early!” – Jonny McBee, The Browning

Purchase/Stream OMNI [ULTRA]!:
https://link.fixtmusic.com/OMNI_ULTRA

It’s never too early for Christmas shopping, even if it’s a gift for yourself.  NEW ‘The Browning’ Cyborg Santa merch is up in the FiXT Store! Perfect for those who are on the naughty list. 
Check it out here!

Purchase/Stream:
https://link.fixtmusic.com/OMNI_ULTRA

Celldweller Releases New Industrial-Metal Single “Invisible World”, With 2LP Vinyl Pre-Order of Circle Of Dust’s Machines Of Our Disgrace

August 22, 2025
Artist News, Artist Press
Celldweller, Circle of Dust

“Our choices echo through eternity…”

Circle of Dust, the ‘90s industrial-metal project of artist/producer Celldweller, is back, announcing a pre-order for the anticipated 2-LP vinyl edition of Circle of Dust’s explosive 2016 comeback album, Machines of Our Disgrace, featuring the new single “Invisible World” out now from FiXT.

Originally released in 2016 after a nearly two-decade hiatus, Machines of Our Disgrace is Circle of Dust’s fifth full-length album and a powerful statement piece from Klayton, better known to many as Celldweller and Scandroid. The album marked a massive creative resurgence, fusing metal riffs, glitchy electronics, and raw industrial noise into a sound that’s equal parts nostalgic and forward-looking. 

Machines of Our Disgrace isn’t just music, it’s a brutal mirror held up to humanity’s accelerating descent into technological dependence. Across 13 core tracks, the album unpacks themes of transhumanism, biohacking, surveillance, dehumanization, and the blurred line between evolution and manipulation. Tracks like “Contagion” and the title track “Machines of Our Disgrace” explore our surrender to the machine and the consequences of automation and blind progress. “alt_Human” and “Neurachem” dive into the ethics of gene editing and synthetic enhancement. “Hive Mind” and “Humanarchy” challenge the illusion of individuality in a digitally homogenized world. On the hauntingly emotional “Outside In,” Klayton shifts gears, revealing a fragile, human core beneath the circuitry with acoustic guitars, layered harmonies, and cinematic sound design.

The album was unflinching, both sonically and lyrically, combining dark, aggressive, and energetic moods into a cohesive and cinematic listening experience. It’s a definitive work of industrial rock and a bold creative milestone in Klayton’s expansive career.

Now Machines of Our Disgrace is available as a 2-disc vinyl, featuring the full original album and an entire second disc of original new songs and remixes from Sebastian Komor, The Anix, The Plague, Zardonic, and Voicians. It also features the new singles “Invisible World” and “Digital Messiah” showcasing Klayton returning to his early 1992 roots of the self-titled Circle Of Dust album, taking inspiration from “Technological Disguise” – a nod to his earlier work.

Released today with the pre-order announcement, “Invisible World” is a defiant anthem that launches listeners headfirst into a dark, dystopian industrial rebellion. The track delivers a high-octane blend of industrial metal, thrash, and gritty cybernetic rock. The single continues Circle of Dust’s legacy of genre-defiant sound design and razor-edged commentary, combining the aggressive pulse of industrial metal, the precision of thrash, and the dark energy that’s become the project’s signature. Longtime fans will find themselves back in familiar mechanical chaos, while new listeners will be slammed by the track’s fierce modern production and unrelenting pace. It’s a track that doesn’t ask questions, it kicks down the door.

Stream/Purchase “Invisible World”
https://link.fixtmusic.com/InvisibleWorld

Support/Follow Circle Of Dust:
Facebook
Twitter
Instagram
YouTube
FiXT Store
Bandcamp
Spotify

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