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Artist News

Izzy Reign Releases Her Self-Titled Debut Album

March 21, 2025
Artist News, Label News
Electronic Rock, FiXT Music, Label News

By Leasia Korbel

Izzy Reign has released her self-titled debut album Izzy Reign from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the album is “Bird of Prey” which premiered yesterday at Revolver Mag. The song captures the perspective of an antihero, someone who doesn’t shy away from confronting harmful people head-on. With a cynical yet powerful tone, the track explores the concept of necessary evils, where the protagonist serves as the consequence for others’ harmful actions. Reign emphasizes the importance of standing up for the voiceless and holding others accountable, delivering a taunting message that there is no escape from the paths people choose.

“‘Bird Of Prey’ was written from the viewpoint of the villain’s Villain. The not quite a hero but more of an anti hero. I grew up with the standard of a zero tolerance for crappy people. That if I saw someone causing harm, I would cause said person double the amount. I made it clear that I would never be the cause, but always the result. Is it the best way to go about things? Probably not, but sometimes, a necessary evil is a good thing. Really wanted to portray a powerful yet semi cynical vibe in this song. A more taunting feeling of saying, there’s no escape. That you chose this path, now here are the consequences. I encourage people to always stand up for those who do not have a voice of their own and hold them accountable. Always have and always will. Sometimes, the right thing to do, IS to make it your problem.” – Izzy Reign

https://www.youtube.com/watch?v=Iu03-a3x-ds

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025. 


Follow Izzy Reign
Stream Izzy Reign

The Browning Announces EU Summer Tour With Polar And The Defect

March 19, 2025
Artist News

Because Two Tours Aren’t Enough July 31 – August 23

The OMNI USA Tour and the ELECTRONICORE 2025 Tour are not enough for hardcore genre crushing deviants The Browning. Adding a third tour to their 2025 term The Browning flies off to Europe on the EU SUMMER 2025 Tour. Running from July 31st to August 23rd.  The EU SUMMER Tour will also feature Polar and THE DEFECT. Tickets are available here.

Check out The Browning’s latest offering, a unique spin on Eiffel 65’s iconic hit “Blue” (Da Ba Dee). The Browning transforms the nostalgic classic into a heavy-hitting, genre-blending masterpiece. Brutal vocals take center stage fusing The Browning‘s signature mix of metal, electronic, and industrial sounds. The remix injects pulsating energy, crushing breakdowns, and futuristic vibes, from serene to chaos, it’s “Blue” like you’ve never heard it before.

Check out OMNI now on Spotify!

We’re excited to announce that along with the album we have a TON of new merch including OMNI on Vinyl & CD! Check it out here!

ENMY To Appear At Rock The Valley, Saturday Oct. 4th!

March 10, 2025
Artist News
ENMY

We’re excited to announce that Cincinnati-based rock sensation ENMY will performing in New Martinsville, WV at Rock The Valley Fest, on Saturday October 4th!

Tickets are on sale now, click the link below to grab yours today!

https://www.rockthevalleyfest.com/

Following the massive success of their debut album Breaking Down, which has already amassed over 25 million streams across DSPs, with their track “Clarity” earning a placement on the popular WWE showcase, and their more recent “The Ledge” featured twice on the WWE Summer Slam segments, ENMY continues to redefine the boundaries of rock and metalcore with their latest offerings. 

ENMY brings a fresh and energetic sound to modern rock and metalcore by crafting a unique blend of soaring vocals, groove-oriented instrumental play, and electronic melodies. Their self-titled sophomore album features ten hard rock tracks, including standout singles “Survive” and “Silver Bullet.” The currently release tracks from the album have already amassed over 7 millions streams across DSPs. With singles like the intense but with a touch of melancholy “Hourglass,” the emotionally charged anthem “Broken Man,” and the brutal, raw, and emotive “The Ledge” complete with an ominous music video directed and produced by Will Story, ENMY has proved that they are masters of fusing the essence of hard rock, alternative metal, and modern rock and capturing emotional intensity through a musical lens. Following in the footsteps of peers like Breaking Benjamin, Linkin Park, and Three Days Grace, ENMY is destined to become a staple and household name with rock & metal fans.

The complete track listing for ENMY is:

  1. The Ledge
  2. Our Demise
  3. Fake
  4. Survive
  5. Broken Man
  6. Waiting on You
  7. Silver Bullet
  8. Hourglass
  9. On the Edge
  10. The Cure

Check out ENMY now on Spotify!

Check out ENMY’s merch at the FiXT Store. O𝘳𝘥𝘦𝘳 now!

The Plague Releases New Album The Divided States Of Hysteria

February 28, 2025
Artist News, Label News
Electronic Rock, FiXT Music, Label News

By Leasia Korbel

The Plague has released his latest album The Divided States Of Hysteria now available across all platforms from FiXT.

The Divided States Of Hysteria is a sonic manifesto diving into themes of addiction, identity, societal pressures, self-reflection, and the complex duality of human nature. Synths, guitars, bass, and drums collide to create an intense sonic palette that mirrors the album’s themes of internal and external chaos. The Plague combines raw and vulnerable lyrics, with complex soundscapes showcasing his unparalleled ability to blend emotive lyrics with powerful instrumentation. The album captures The Plague’s signature blend of rock, hard rock, and alternative influences, delivering tracks that are as energetic as they are thought-provoking. From powerful synths to driving guitars and thunderous drums, the instrumentation provides a dynamic backdrop for lyrics that tackle deeply personal and universal themes.

Featuring singles like “Man Machine or Beast” that challenges the impact of technology on our relationships, while “Predator” confronts humanity’s darker instincts. “Float Right On By” is a poignant reflection on selfishness and the search for redemption and “Clean Slate” is a heartfelt anthem of renewal and forgiveness. While “Right Back Down” is a firestorm featuring thrashing guitars, brutal vocals, as an intense exploration of a relationship that ends without warning. The Divided States Of Hysteria is a deep and honest exploration of the human condition. 

Releasing with the album is “Say What You Want To Say” which premiered yesterday at Revolver Mag. In The Plague’s own words, “I spend a ton of time in the studio, and its VERY easy to get critical voices coming in and criticizing me. I started to ask myself where do these voice come from and tell them to f off! I started to realize that a lot of hater say the same things as the voices in my head which really leads me to believe its a universal spiritual attack. This song is flipping the bird to that whole attitude. The lyric “I can’t put the beat to the music” was originally intended as a place holder but it grew on me. I thought it was kind of cool to leave a lyric that was a reference lyric in a song where the spirit is just go for it and don’t think to much. It was funny because “beat to the music” is not a title i want for obvious reasons, so then the nest hook line was “say my name” also had the same problems lol. We went with ‘Say What You Want To Say,’ that passes the sexual innuendo test.”

Follow The Plague
Stream The Divided States Of Hysteria

HIGHSOCIETY Announces New Album DATAMOSH Available To Pre-Order Releases “Harm” (feat. The Anix)

February 19, 2025
Artist News, Label News
Electronic Rock, FiXT Music, Label News

By Leasia Korbel

HIGHSOCIETY has announced his upcoming album DATAMOSH is available to pre-order from FiXT. The album drops March 28, 2024. 

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 

One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 

At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

Dropping with the pre-order announcement is “HARM” (feat. The Anix) which premiered yesterday at Outburn. The single brings together the powerhouse rocktronic styles of HIGHSOCIETY and The Anix, combining jagged synths, crushing metal guitars, and intricate breakbeats. Known for their mastery in merging aggressive rock with dynamic electronic elements, the duo create a powerful, melancholic anthem that’s both haunting and hard-hitting. 

In his own words HIGHSOCIETY explains,“Working with The Anix on this track is a real full-circle moment for me. I actually found FiXT through his music (I thought it was his label at first). Out of all the amazing collaborators on this album, The Anix is the one I look up to the most. His project has been a huge inspiration, both sonically and visually. This track gave me the chance to explore a more melodic, atmospheric side of my sound to match his vocals, which was a lot of fun. I’m so glad we got to add a ‘slow-motion in the rain’ moment to the album to balance out all the heavier tracks.”

The ascending bass music talent that is known as HIGHSOCIETY has been on a rapid rise as of late, thanks to his addictive blend of stadium-crushing future bass, metallurgic dubstep, and blazing trap. With a seemingly endless torrent of releases across standout labels from FiXT, Barong Family, and Universal Music, to Red Bull Records and Lowly Palace/Trap Nation, HIGHSOCIETY has firmly established himself as one of the most exciting new acts in electronic music. 

In the past HIGHSOCIETY worked with respected labels such as Dim Mak, Red Bull Records,  Island Records, Lowly Palace, Welcome Records, Barong Family,  Universal, and now FiXT. He’s also worked with many high-profile artists including Craig Mabbit of Escape The Fate, AWOLNATION, Attack Attack!, Celldweller, Teddy Killerz, The Anix, Big Shaq, Reid Speed, Palisades, Jade, and Le Castle Vania as well as earned sync placements with HBO, MTV, MTV2, ABC Family, Freeform, and Oxygen. He’s performed live with Steve Aoki, Knife Party, Kill The Noise, Slushii, Modestep, GTA, and Elohim at many live festivals including but not limited to Live 105 BFD Festival, Bottlerock Festival, Amsterdam Dance Event, and many headline shows across the US. 

Follow HIGHSOCIETY
Stream “HARM”

Izzy Reign Announces Her Self-Titled Debut Album Out March 21st

February 14, 2025
Artist News, Label News
Electronic Rock, FiXT Music, Label News

By Leasia Korbel

Izzy Reign has announced her self-titled debut album Izzy Reign is available for pre-order and will be out on March 21, 2025 from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the pre-order, Izzy Reign’s new single “Phobos” delves deep into the unsettling world of panic attacks, drawing from personal experience to convey the overwhelming and unpredictable nature of these episodes. With raw emotion and vivid descriptions, the song captures the sensation of air thinning, heartbeats overpowering, and the inevitability of panic despite any attempts at control. Through “Phobos,” Reign seeks to resonate with those who have faced similar battles, whether through the struggle to resist the attacks or the resigned acceptance of their recurrence, creating a visceral sonic journey of anxiety and resilience.

This song is about the experiences of having panic attacks. A true understanding of how the feel and how at complete random they can occur.

In her own words, “I spent many years of my life undergoing random panic attacks, which felt like, for no reason at all, but upon learning and understanding how much the subconscious stress levels of your brain truly affect the physical responses of your body, it seemed to make more sense. I struggled with this for a long time and as many people have experienced them selves, it can take a major toll on ones every day life. How ever, I wrote this song in regards to this becoming my norm, and when I felt the coming on, I just had to take them steps to prepare and let them pass. The inevitable would happen, regardless of how in control I felt or how much I changed my situations/surroundings. I wanted to give the feeling of what a panic attack felt like to people who have gone through the many different stages of them. Whether or not they let it consume them, the sensation of the air around them thinning, or your heart beat being the only thing you can hear, or the other side of acceptance, almost, in a way, being annoyed that you have to sit down and ground yourself to prepare for what you’re already used to.”

– Izzy Reign
https://youtu.be/3pZbMK_n18k

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025. 


Follow Izzy Reign
Stream “Phobos”

Behind The Scenes – Interview: Travis Brockett

February 11, 2025
Artist News, Label News
Label News

By Leasia Korbel



Tell us a little about yourself—where are you from, and what’s a fun fact people might not know about you?

The easiest answer is that I am from Burlington, IA but I have lived in multiple places in Southeast Iowa but have lived in Burlington on and off throughout my adult life. I most recently came back when I got hired at FiXT.

My go-to fun fact is that I am a classically and commercially trained vocalist, having attended Millikin University for voice in the early 2000’s and have done everything from Opera to Deathcore. I currently have one active metal project (Lituus) that I am working on and a few now dead projects.

What’s your role in the music industry, and what do you love most about what you do?

I am the Administrative Director for FiXT which encompasses a great deal of things but a lot of it focuses on the finance side of the business. I really enjoy numbers and data. I like to analyze things and look for trends or things that might help us make better decisions for the label and our artists. I also enjoy the connection we have to our artists. There is a trust and respect that goes both ways.

You are also a metal vocalist. What got you into metal, and what drew you to extreme vocals?

So my love for metal started back in the early 90’s when my stepdad got me into the Metallica album And Justice for All. It got me into thrash metal and I listened to all of the Big 4. I started to develop my own tastes through the years and always tried to scream along with the songs. I wanted to learn how to do things right so I talked to my commercial vocal styles teacher in college about screaming and then a few years later got into the Zen of Screaming video series from Melissa Cross.

Can you share a bit about your journey in the music world? 

On a professional level, things started with my schooling at Millikin. I knew from there that I wanted to get into the industry but I thought my only way in was through performing. There aren’t a lot of options in the Midwest. I ended up in the finance world, working in banking for 13 years. I saw a job for FiXT posted and I knew James Rhodes because he was a friend of mine that I met in High School. I hit him up and the rest is history. I started as the Accounting & Royalty Manager working mostly on finance related items but have picked up things like Rights Management, HR, Legal and more in my time since coming on and getting promoted.

On the personal side, I have been performing since I was a kid. In the metal world, I joined my first band in 2005. I have been in a few different bands during that time but in 2021 I really kicked things up starting a Death Metal band called Misery System. From there, I did a solo project under my artist name BlkmetalvoX and am currently working on a project called Lituus.  

What are some career highlights or accomplishments you’re most proud of?

Recently we made a switch to the Curve royalty processing system and it was quite the lift to get everything up and running. I took on a lot of that burden as the person who was going to be working with the system more hands on and getting that moving and having a next level royalty solution for our artists was a great feeling. Also, just working on the budgeting process when it comes to the label and our roster as quite the accomplishment. Lastly, my promotion to Administrative Director was an incredible honor. I appreciate the trust and support that Klayton, James and Kurtis have put in me. 

Who are some of your biggest musical influences, and how have they shaped your career?

Vocally, I have plenty of musical influences but on the metal side of things, it would be people like Howard Jones (ex-Killswitch Engage, Light The Torch, Blood Has Been Shed), Vincent Bennett (The Acacia Strain), Trevor Strnad (The Black Dahlia Murder), Brook Reeves (Impending Doom) and others. I think that I was able to take pieces of their vocal styles to really find my own. I try to write about what I know or am going through. With Lituus, I am really trying to dive into my story telling and build a world. 

Are there any Black artists, producers, or industry pioneers who have inspired your path?

I mentioned him before but Howard Jones is a big one for me. I also have a lot of respect for some black artists in the metal scene because it is hard for us out here. Byron, Doc, and Corey from God Forbid, Terrance Hobbs in Suffocation, Tom Morello in RATM, Tosin Abasi in Animals as Leaders, and more. I grew up a big fan of Prince and Michael Jackson and was in awe of the talent that they had. It is people like that who truly inspire me.

Have you faced any unique experiences or challenges as a Black professional in the music industry? How did you navigate them?

I think the most unique thing I have had to deal with is microaggressions. I have lost track of how many times I tell people that I work for a record label and their automatic perception is that it must be a rap/hip-hop label. As a person of color, these things tend to happen more often than some would expect so you really learn to deal with it in a way that resolves things in a good way. I usually just try to explain what we do, what I do, and squash any misconceptions.

What’s one piece of Black music history that more people should know about?

The Broadway musical “Shuffle Along”. It was the first major black musical in 1921 and it was pivotal for having black representation on stage. It really challenged racial barriers not only on the stage but in this country.

Hardcore Keem (The Browning) & Travis Brockett

How has your cultural background influenced your artistry, business approach, or work ethic in the music industry?

I have always felt like I needed to work a bit harder because of my background. I didn’t want to fit into a shell or stereotype that someone had created for me. I feel it has made me a better person and I try to meet others like me in the industry to connect with. I want to continue to grow in this industry and I know there are others out there doing what I want to do. The best way to get there is to start those conversations so I am going to take advantage of the conferences I attend or calls that I have with other black music industry professionals.

What advice would you give to young Black artists, producers, or industry professionals trying to break into the business?

Do not let others tell you that it can’t be done. There are black people in all of those walks of life. I would recommend reaching out to anyone you see that is doing what you want to do or is on a similar path you want to take. I think we are all there to support each other and want to see our people succeed. If I am the person that can help you, I want you to hit me up.

Outside of work, what are some projects, initiatives, or community efforts you’re involved in that celebrate Black culture and music?

I have been a mentor for young black youth through the Big Brothers Big Sisters program, I have volunteered with inner city youth in the past, and I have been a guest speaker at numerous black events including the Teen Summit by Delta Sigma Theta at the University of Iowa with the goal to help young minority students acquire the tools to become successful both personally and professionally.

If you could recommend one song, album, or performance that embodies Black excellence, what would it be and why?

I am gonna give two just for different reasons. The first is “To Be Young, Gifted and Black” by Nina Simone and the second is “Say It Loud – I’m Black and I’m Proud” by James Brown. The first just really speaks to empowering young black people and the second is just an anthem to show pride in who you are as a black person in this country.




What’s a piece of advice or a motto that has helped you in your career?

I think one of the guiding things I learned years ago was “The Talented Tenth” by W.E.B. DuBois. The thought is that for black people to advance, there must be an elite of exceptional men to lead them. I have always strived to be one of those men.

“The Negro race, like all races, is going to be saved by its exceptional men. The problem of education, then, among Negroes must first of all deal with the Talented Tenth; it is the problem of developing the Best of this race that they may guide the Mass away from the contamination and death of the Worst, in their own and other races.” – W.E.B. DuBois

What’s the best way the music industry—and fans—can celebrate Black history and Black artists all year long, not just in February?

While it is great to see highlights of past or current examples of black excellence during Black History Month, it would be great to see them year round. We can utilize this time to show the great things we do but I urge fans to continue to reach out and try to find artists or companies of minority groups and push them out to those you know. Spread the love. I think the industry could continue to push for panels at conferences, articles in publications, and just lifting minority voices all year round instead of what has become the convenient time to do so. 

THE DEFECT Releases Debut Album DEATH X DESTINY + Tours With The Browning And SWARM

February 7, 2025
Artist News

THE DEFECT have released their debut album DEATH X DESTINY which is now available across all platforms from FiXT.

DEATH X DESTINY is a visceral journey through themes of pain, loss, and self-destruction, expertly woven into a soundscape of gritty guitars, haunting melodies, and electrifying synths. With DEATH X DESTINY, THE DEFECT brings their bold and emotive vision to the stage exploring a range of influences while pushing sonic boundaries. With an appearance from The Browning on the single “Immortal,” fans of hard rock, alternative metal, and industrial music will find themselves drawn to the unique dual-vocal dynamics between Jonny McBee and Moon, who seamlessly merge sultry melodies with brutal power. 

With tracks like “Broken Minds,” a haunting reflection of emotional fragmentation, “Lost In The Shadows,” a darky and sultry duet balancing darkness and light, “Dreamwalker,” an electrifying anthem blending ethereal melodies and brutal breakdowns, and “Eternal (What Do You See?)”, shifting between serene to savage DEATH X DESTINY is a testament to THE DEFECT’s innovative approach, combining gritty guitars, dynamic vocals, and atmospheric synths to create a uniquely powerful and emotionally resonant sound. With their irresistible energy and raw intensity THE DEFECT continues to redefine the landscape of electronic-rock.

And they are just getting started.  

Releasing with the pre-order “Into The Void” delivers a visceral exploration of pain, loss, and self-destruction, set against a backdrop of haunting melodies and unrelenting intensity. This song captures the raw emotional journey of falling into darkness and the struggle to reclaim oneself. “Into The Void” showcases THE DEFECT’s reputation for blending gripping lyricism with evocative soundscapes, making it a must-feature release for fans of dark and emotional alternative music.

https://youtu.be/kPe7lR3H4kw
https://youtu.be/kPe7lR3H4kw

The complete track listing for DEATH X DESTINY is:

  1. ANNIHILATE
  2. RUN
  3. INTO THE VOID
  4. DREAMWALKER
  5. LOST IN THE SHADOWS
  6. ETERNAL (what do you see?)
  7. IMMORTAL (feat. The Browning)
  8. DEFIANCE
  9. BROKEN MINDS
  10. A WAY OUT

We’re excited to announce that along with the album release we have a TON of new merch! Check it out here!

THE DEFECT will be opening for  The Browning and SWARM on the ELECTRONICORE 2025 TOUR.

Purchase tickets here! 

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