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Halloween With Klayton (Celldweller) Fun & Family Edition

October 28, 2025
Artist News, Artist Press, Label News
FiXT Music, Label News

As the crisp autumn air rolls in and the shadows grow longer, Halloween arrives: a night of eerie thrills, candy-fueled chaos, and the perfect soundtrack for the macabre. Few artists embody cinematic darkness and futuristic dread like Klayton, the mind behind Celldweller. From crafting industrial soundscapes to building entire story worlds through music, Klayton’s work has always thrived on atmosphere. This Halloween, we dove into both his family traditions and his musical inspirations for the season.

The result? A glimpse into the mind of a producer who balances high-tech horror, childhood nostalgia, and the chaos of candy duty.

Alright Klayton, real talk: do you get more excited about the tricks or the treats? (And yes, handing out candy counts.)

Definitely the treats.

In your house, does Halloween involve full-on decorating and themed playlists, or is it more “survive the sugar rush” with the kids?

There’s definitely a sugar rush aspect, which we try to keep under control as much as possible but it’s more about the kids picking out their  fav video game character costumes to run around in. 

If your studio became a haunted house for the night, which of your tracks would play in each room to terrify visitors in the right way?

Well my covers of John Carpenter’s “Halloween” & Charlie Clouser’s “Hello Zep” from the Saw franchise are good starts. “When Your Walls Fall” is sufficiently creepy. I’ve done quite a bit of stuff for my FreqGen project that are soundscapes that would be perfect to bring that “Someone’s going to jump out and eat my brains” vibe. 

Childhood flashback: what was your Halloween costume back then — and what would “Klayton in 2025” wear if you could go all out?

As a kid it was the cheapest stuff my parents could afford, so way less about who i was and more about being fortunate to have a costume at all. When I could choose, it was always Frankenstein’s monster, The Mummy, Dracula… The classic horror Monsters. I feel like in 2025 I’m always  in my Halloween costume 24/7/365 🙂

Family edition: do your kids get involved in your music projects for Halloween, or do they just claim the candy?

When candy is involved, everything else goes to the wayside (including music  – lol)

If you had to pick a monster to represent your music style — industrial, cinematic, and futuristic — what would it be? And what would its theme song sound like?

A Xenomorph embodies most of those elements for me. Again, “When Your Walls Fall” feels like a good theme song for an Alien stalking a Colonial Marine.

Halloween nostalgia check: is there a song, movie, or candy that instantly puts you in the spooky mood every year?

I really tied Flatliners to Halloween. The opening creepy choirs and Kiefer Sutherland’s opening line “Today is a good day to die…” just brings back all the Halloween feels. PS can never go wrong with a Reese’s product. Just sayin’ 🙂

Halloween nostalgia check: is there a song, movie, or candy that Build your ultimate “Celldweller Halloween Mix” — three tracks, any artist (including yourself), that absolutely have to be on it.

Ghostbusters. I mean really – who ARE you gonna call??

In the 80s, before the controversy it was Michael Jackson’s Thriller

Halloween – John Carpenter

You covered John Carpenter’s “Halloween Theme” – How did that come together?

Pretty quickly. Most times it takes me a while to bring a track into focus but that one was such a classic – I just heard immediately what I could do. I wanted to respect the track and at the same time bring my sound to it. I did that so long ago that if I were to do it again now, it would probably sound completely different. For me it captured a moment in time and I’m glad people still rock out to it.

Bonus fun: describe your ideal Halloween night in one sentence. Candy, chaos, synths, or all of the above?

Pretty quickly. Most times it takes me a while to bring a track into focus but that one was such a classic – I just heard immediately what I could do. I wanted to respect the track and at the There was a time when it would have been “Watching Flatliners with a bag full of Reese’s sticks in my hand.” Now it’s “Trying to stay awake through “The Nightmare Before Christmas” while my kids down handfuls of candy while jumping on my head.” Good times. 🙂

Halloween isn’t just about scares: it’s about creativity, storytelling, and shared experiences. Through the lens of Celldweller, it becomes a celebration of cinematic horror, musical innovation, and even the mundane chaos of family life. Whether Klayton is crafting a synth-laden soundtrack or making sure the little ones get their candy fix, it’s clear that the dark, inventive spirit of Halloween is alive in both his music and his home.


Circle of Dust X Celldweller – Digital Messiah

September 19, 2025

Circle of Dust X Celldweller – Invisible World

August 22, 2025

Celldweller Releases New Industrial-Metal Single “Invisible World”, With 2LP Vinyl Pre-Order of Circle Of Dust’s Machines Of Our Disgrace

August 22, 2025
Artist News, Artist Press
Celldweller, Circle of Dust

“Our choices echo through eternity…”

Circle of Dust, the ‘90s industrial-metal project of artist/producer Celldweller, is back, announcing a pre-order for the anticipated 2-LP vinyl edition of Circle of Dust’s explosive 2016 comeback album, Machines of Our Disgrace, featuring the new single “Invisible World” out now from FiXT.

Originally released in 2016 after a nearly two-decade hiatus, Machines of Our Disgrace is Circle of Dust’s fifth full-length album and a powerful statement piece from Klayton, better known to many as Celldweller and Scandroid. The album marked a massive creative resurgence, fusing metal riffs, glitchy electronics, and raw industrial noise into a sound that’s equal parts nostalgic and forward-looking. 

Machines of Our Disgrace isn’t just music, it’s a brutal mirror held up to humanity’s accelerating descent into technological dependence. Across 13 core tracks, the album unpacks themes of transhumanism, biohacking, surveillance, dehumanization, and the blurred line between evolution and manipulation. Tracks like “Contagion” and the title track “Machines of Our Disgrace” explore our surrender to the machine and the consequences of automation and blind progress. “alt_Human” and “Neurachem” dive into the ethics of gene editing and synthetic enhancement. “Hive Mind” and “Humanarchy” challenge the illusion of individuality in a digitally homogenized world. On the hauntingly emotional “Outside In,” Klayton shifts gears, revealing a fragile, human core beneath the circuitry with acoustic guitars, layered harmonies, and cinematic sound design.

The album was unflinching, both sonically and lyrically, combining dark, aggressive, and energetic moods into a cohesive and cinematic listening experience. It’s a definitive work of industrial rock and a bold creative milestone in Klayton’s expansive career.

Now Machines of Our Disgrace is available as a 2-disc vinyl, featuring the full original album and an entire second disc of original new songs and remixes from Sebastian Komor, The Anix, The Plague, Zardonic, and Voicians. It also features the new singles “Invisible World” and “Digital Messiah” showcasing Klayton returning to his early 1992 roots of the self-titled Circle Of Dust album, taking inspiration from “Technological Disguise” – a nod to his earlier work.

Released today with the pre-order announcement, “Invisible World” is a defiant anthem that launches listeners headfirst into a dark, dystopian industrial rebellion. The track delivers a high-octane blend of industrial metal, thrash, and gritty cybernetic rock. The single continues Circle of Dust’s legacy of genre-defiant sound design and razor-edged commentary, combining the aggressive pulse of industrial metal, the precision of thrash, and the dark energy that’s become the project’s signature. Longtime fans will find themselves back in familiar mechanical chaos, while new listeners will be slammed by the track’s fierce modern production and unrelenting pace. It’s a track that doesn’t ask questions, it kicks down the door.

Stream/Purchase “Invisible World”
https://link.fixtmusic.com/InvisibleWorld

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Celldweller Releases 2025 Remastered Version of Soundtrack For The Voices In My Head Vol. 1

July 16, 2025
Artist News
Celldweller, Electronic Rock, Fixt, FiXT Music

Available For The First Time On Vinyl

Electronic rock visionary Celldweller (Klayton) is set to reintroduce a fan-favorite from his expansive discography with the 2025 remastered release of Soundtrack for the Voices in My Head Vol. 01, available for the first time ever on vinyl. This iconic instrumental collection, originally launched in 2008, now returns with enhanced sonic clarity and fresh packaging that underscores its deep cinematic legacy.

Soundtrack for the Voices in My Head Vol. 01 marked a pivotal evolution in Klayton’s career, blending his signature production style with a vision crafted specifically for film, television, video games, and movie trailers. The album was curated from hundreds of demos and unreleased sessions, with compositions chosen for their dramatic scope and evocative power.

Built on a foundation of orchestral tension, aggressive electronic textures, and industrial grit, the tracks on SVH Vol. 01 have made a lasting impact on the world of sync licensing. With a trail of high-profile placements, these compositions have appeared in:

  • Film Trailers: Ninja Assassin, Race to Witch Mountain, The Spirit, Surrogates, The Last Legion, The Bleeding, Premium Rush, and more.
  • TV & Broadcast: American Idol, MTV’s The Hills, SyFy’s WCG Ultimate Gamer.
  • Video Games: Forza Motorsport 3, Tom Clancy’s H.A.W.X. 2, Asphalt 8: Airborne, Dead Rising 2, Baja 1000.

Limited collectible vinyl versions including a Celldweller-signed picture disc vinyl with art by Ninja Jo of

Tracks like “Through the Gates,” “Solaris,” and “Ursa Minor” have become staples across media platforms, bringing the intensity and scope of Klayton’s sound to millions of viewers and gamers.

With this remaster, fans will experience Soundtrack for the Voices in My Head Vol. 01 like never before. Pressed on high-quality vinyl for the first time, this edition is more than a nostalgia piece, it’s a sonic artifact designed to be experienced in full cinematic immersion. Whether you’re a long-time Celldweller fan or discovering the project for the first time, this is your chance to own a piece of audiovisual history.

Tracklist includes highlights such as:

  • Through the Gates
  • Solaris
  • Pursuit of the Hunted
  • Ursa Minor
  • Narrow Escape
  • Subterra
  • Animatronic

Soundtrack for the Voices in My Head Vol. 01 (2025 Remaster) is a testament to Klayton’s genre-defying creativity and enduring influence in the world of hybrid electronic scoring.

Purchase/Stream:
https://link.fixtmusic.com/SVH01

Celldweller – Soundtrack For The Voices In My Head Vol. 1

July 16, 2025

Stream/Purchase

Circle of Dust & Celldweller – Neophyte (Single Edit)

June 27, 2025

Stream/Purchase

On the heels of the 25th Anniversay Edition, Circle of Dust announces Circle of Dust [Remixed] – a collection of remixes from artists such as Fury Weekend, Rabbit Junk, The Anix, FreqGen, Void Chapter, Alex Yarmak, Animattronic and more! Circle of Dust [Remixed] is available for pre-order now from independent record label FiXT.

Circle of Dust & Celldweller – Neurachem (Single Edit)

June 6, 2025

Stream/Purchase

On the heels of the 25th Anniversay Edition, Circle of Dust announces Circle of Dust [Remixed] – a collection of remixes from artists such as Fury Weekend, Rabbit Junk, The Anix, FreqGen, Void Chapter, Alex Yarmak, Animattronic and more! Circle of Dust [Remixed] is available for pre-order now from independent record label FiXT.

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